Vintage Movie Resources
Harry Lewis — New Man for Fans (1946) 🇺🇸
Yvonne DeCarlo — The Beautiful and Blessed (1946) 🇺🇸
Dan Duryea — Dan, the Deadly (1945) 🇺🇸
Don DeFore — Stooging for Stardom (1945) 🇺🇸
None But The Lonely Heart (1944)
Cary Grant | Ethel Barrymore | Barry Fitzgerald | June Duprez | Jane Wyatt | George Coulouris | Dan Duryea | Roman Bohnen | Konstantin Shayne | Marie de Becker | Clifford Odets
Michael Chekhov — The Man of 1,000 Personalities (1946) 🇺🇸
Geraldine Fitzgerald — Just Who Is Geraldine? (1946) 🇺🇸
Henry Koster Practices Exactly What He Preaches (1950) 🇺🇸
Anna Lee — The Beautiful British (1943) 🇺🇸
Philip Dorn — The Indomitable Dutch (1943) 🇺🇸
Al Christie — Everybody Calls Him Al (1927) 🇺🇸
Bobby Vernon — On and Off (1927) 🇺🇸
It was a small picture house in Glendale. In the crowded lobby hung a huge lithograph announcing the evening’s comedy. Beside it stood the manager of the theatre in deep conversation with a boyish looking, blue-eyed chap. A ragged newsboy rounded the corner and emitted a shrill Whoopee! at sight of the lithograph. For a minute or two he studied it in ecstasy, then he tugged at the young fellows coat. “Hey, mister, who are you?” he demanded, curiously.
Lads and Lassies of Laughter (1926) — Part II 🇺🇸
Part II: The second contingent of young people who appear in short film comedies, and about whom you have read little, are here brought to your attention. | Go back to Part I
Lads and Lassies of Laughter (1926) — Part I 🇺🇸
Part I: A full score of talented and optically pleasing young people smile and prance before your eyes on the screen, but you rarely read anything about them. Often you do not even know their names. Yet they are the players who make you laugh loudest, and you see them more often than your heroes and heroines of the drama, Meet your friends of the short comedies! | Move on to Part II
Lois Moran — As The Twig Is Bent (1930) 🇺🇸
Ingrid Bergman — Scandinavian Charmer (1941) 🇺🇸
Alice Day — The Girl Who Wouldn't Undress (An Impression of Alice Day) (1929) 🇺🇸
Arlette Marchal — Mademoiselle — Not Grisette (1926) 🇺🇸
In Arlette Marchal, brought from France by Paramount, is found the carefully reared flower of that great institution, the French home, rather than the little devil of the boulevards.
What Emil Jannings Fears (1926) 🇺🇸
The great German actor, discussaing art and his coming visit to this country to make pictures for Paramount, betrays a desire with which many will sympathize and which some may try to alleviate.
Richard Dix — He Rolls His Own (1926) 🇺🇸
Richard Dix explains how he and his director, Gregory La Cava, evolve their popular screen comedies, from the moment the scenario — which sometimes is nothing more than a scrap of paper — is placed in their hands.
June Knight Experiments (1937) 🇬🇧
The lovely blonde dancing star of Capitol's The Lilac Domino is going to forsake glamour for a few months and live a student life in Paris on an allowance of five pounds a week.
Wallace Ford — The Boy Without a Name (1932) 🇺🇸
From Wallace Ford — the man who is considered by many as a screen discovery — comes this story, more amazing than any Hollywood scenario.