Vintage Movie Resources
Frances Farmer — She Came and Got It (1937) 🇺🇸
Frances Farmer admits the importance of fate in her career
No Chums for Stars (1937) 🇺🇸
Few close friendships exist among the women stars, no matter what you may read to the contrary
Hans Dreier — Astronomy Aids Art Department (1936) 🇺🇸
Moon jobs, according to Hans Dreier, are the most ticklish of astronomical subjects in a movie
Camera Angles — Edward Snyder (1935) 🇺🇸
In 1912, Pathé studio production head Louis Gasnier presented camera equipment to Edward Snyder and instructed him to shoot tests, stills, and miscellaneous shots
Introducing Bob Burns — Arkansas Traveler (1936) 🇺🇸
Bob Burns (1890–1956) is the comic for Bing Crosby and he’s radio’s newest best bet
Blanche Sweet’s Love Story (1936) 🇺🇸
A strange friendship led to Blanche Sweet’s recent marriage
Polly Walters — Pretty Polly (1934) 🇺🇸
Polly Walters is slender, blonde minx with a nasal pitch to her voice
Phyllis Barry — Is There a “New Deal” in Love? (1934) 🇺🇸
“Is there a “New Deal” for love?” asks Phyllis Barry
Warren William — Does an Actor Work for a Living? (1934) 🇺🇸
Warren William is hitting a real stride as the film season rounds the turn for the finish of the 1933–34 year
Harry Lachman — Artist, Director, Producer and Writer (1934) 🇺🇸
Harry Lachman is the only one, to our knowledge, who works by chart
June Vlasek — Complexion Complexes (1934) 🇺🇸
“Clothes may make the man, but they're a long way from making a woman perfect,” says June Vlasek
Warren William — Minnesota’s Mighty Man of the Movies (1933) 🇺🇸
“From pickle salesman to stardom” is the shortest way of describing the remarkable record of Warren William
Lorena Layson — The Booty of Beauty (1933) 🇺🇸
There is nothing illegitimate or frivolously vain in trying to be beautiful
Ruth Hall — Florida’s Fairest (1933) 🇺🇸
Ruth Hall’s favorite vocal exercise is a good football game. She usually comes away without her voice
Norman Z. McLeod — This Business of Directing (1934) 🇺🇸
7th of a series of articles by and of the well known directors in the Hollywood studios
Future Favorites — Allen Brook (1938) 🇺🇸
Allen Brook would have been an automobile engineer if his acting ambitions hadn’t materialized
Future Favorites — Gordon Oliver (1938) 🇺🇸
You’ll like young Gordon Oliver especially after seeing him play opposite Kay Francis in Women Are Like That
Fanchon Royer — Hidden Glamor (1938) 🇺🇸
Fanchon Royer, only woman film producer, proves there are other fields than acting for smart girls to conquer
Stephen Roberts — How to Become a Movie Director (1933) 🇺🇸
This is the third of a series of articles of or by the screen’s greatest motion picture directors which this magazine is running exclusively
Eddie Albert — Very Good Eddie (1939) 🇺🇸
There’s a reason why Eddie Albert’s tops in his profession