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Alien (1979)
$320.00 $400.00
Live and Let Die
$800.00 $1,040.00
November 21, 2024

Universal Filmlexikon — 1932 🇩🇪 🇬🇧

Hans Albers (Universal Filmlexikon, 1932) | www.vintoz.com

It does not often happen that an almost unknown small part actor becomes a world famous stage and screen star, but Hans Albers is one of those who have succeeded in accomplishing this feat

Anthony Asquith (Universal Filmlexikon — 1932) | www.vintoz.com

Anthony Asquith is looked upon as one of the few directors who may always be relied upon to combine in film production high artistic merit with commercial success

Harry Baur (Universal Filmlexikon — 1932) | www.vintoz.com

The character actor Harry Baur has not lacked recognition up to now; he was appreciated as an ornament of the French stage, but not too many people outside France were aware of his high artistic capabilities 🇫🇷 🇩🇪

Carl Boese (Universal Filmlexikon — 1932) | www.vintoz.com
Carl Boese has cause to be proud of the fact that during the last few years he has influenced the entire trend of film production
Victor de Kowa (Universal Filmlexikon — 1932) | www.vintoz.com

Victor de Kowa is the very type for amorous roles and counts among the most popular stage and film lovers

Marlene Dietrich (Universal Filmlexikon — 1932) | www.vintoz.com

At one stroke Marlene Dietrich rose to the front rank of film actress — one of the very few artists who have ever reached the top with such amazing rapidity

Arthur von Diossy (Universal Filmlexikon — 1932) | www.vintoz.com

The son of an old aristocratic Austrian family, Arthur von Diossy was originally intended for a diplomatic career

Will Dohm (Universal Filmlexikon — 1932) | www.vintoz.com

Will Dohm’s great versatility and his extra-ordinary knowledge of make-up render him particularly suitable for the talking screen

E. W. Emo (Universal Filmlexikon — 1932) | www.vintoz.com

When the talking film was first introduced, E. W. Emo was one of the first to realize fully, and also to exploit, the immense new possibilities presented by this new medium

Jill Esmond (Universal Filmlexikon — 1932) | www.vintoz.com

Jill Esmond has achieved popularity with the general public, the admiration of the profession and the respect of the press

Dr. Arnold Fanck (Universal Filmlexikon — 1932) | www.vintoz.com

Dr. Arnold Fanck is responsible for the most magnificent Alpine films ever produced

Willy Fritsch (Universal Filmlexikon, 1932) | www.vintoz.com

Willy Fritsch occupies a prominent place among the most successful German screen actors of the present time

Carl Froelich (Universal Filmlexikon — 1932) | www.vintoz.com

Carl Froelich is one of the foremost and best known film director in Germany

Gustav Fröhlich (Universal Filmlexikon, 1932) | www.vintoz.com

Gustav Fröhlich had to overcome many an obstacle before he attained his present prominent position

Dolly Haas (Universal Filmlexikon — 1932) | www.vintoz.com

Dolly Haas’ acting is characterized by an enthralling charm, accentuated by a graceful mobility and a highly developed sense of fun

Karl Hartl (Universal Filmlexikon — 1932) | www.vintoz.com

Karl Hartl is known in the film world as director and author of a large number of scenarios and stories

Lilian Harvey (Universal Filmlexikon — 1932) | www.vintoz.com

Lilian Harvey is the darling of the cinema-going public all over the world

Paul Hörbiger (Universal Filmlexikon — 1932) | www.vintoz.com

Paul Hörbiger studied chemistry and took part in the war as an active officer before going on the stage

Emil Jannings (Universal Filmlexikon — 1932) | www.vintoz.com

Emil Jannings is the most distinguished and successful of German film actors

Leopold Jessner (Universal Filmlexikon — 1932) | www.vintoz.com

Out of realism Leopold Jessner developed a most striking technique, the effectiveness of which was demonstrated when, in 1919, he produced a series of classical plays, such as Richard III. and Othello

Wolfram Junghans (Universal Filmlexikon — 1932) | www.vintoz.com

Wolfram Junghans’ instructional film “Biene Maja” was a great success

Lisl Karlstadt (Universal Filmlexikon, 1932) | www.vintoz.com

Lisl Karlstadt cannot be mentioned without Karl Valentin. For two decades she has never appeared on the stage with anyone else

Cary von Krall (Universal Filmlexikon — 1932) | www.vintoz.com

Cary von Krall was engaged by the Orbis Filmgesellschaft to play in a series of apache films with Stella Harff and Ludwig Trautmann

Walter Robert Lach (Universal Filmlexikon — 1932) | www.vintoz.com

Those who know what great importance G. W. Pabst attaches to the pictorial quality of his productions will be able to conclude from that circumstance alone that Walter Robert Lach is a cameraman of the very first rank

Elsa Lanchester (Universal Filmlexikon — 1932) | www.vintoz.com

From the very first, Elsa Lanchester was taken seriously by press and public alike

Francis Lederer (Universal Filmlexikon — 1932) | www.vintoz.com

When Francis Lederer’s contract was to begin, Hollywood ceased making silent films and the contract had to be cancelled, since his knowledge of English was then inadequate

Herbert Lomas (Universal Filmlexikon — 1932) | www.vintoz.com

Recently, when Erich Pommer saw Herbert Lomas act in London, he said “If I had seen him a few months ago, I would have made an English Version of my latest film and would have offered Mr. Lomas the Jannings part.”

Percy Marmont (Universal Filmlexikon — 1932) | www.vintoz.com

Before achieving success on the screen, Percy Marmont had a brilliant stage career

Herbert Marshall (Universal Filmlexikon — 1932) | www.vintoz.com

Herbert Marshall has secured a place in the front rank of British film actors

Joe Pasternak (Universal Filmlexikon — 1932) | www.vintoz.com

Dominated by a romantic idea, Joe Pasternak attained his goal after many adventurous experiences

Erich Pommer (Universal Filmlexikon — 1932) | www.vintoz.com

Since 1927 Erich Pommer has been producing movies for the Ufa within his Erich-Pommer-Produktion

Albert Préjean (Universal Filmlexikon — 1932) | www.vintoz.com

Albert Préjean — film star of international renown 🇫🇷 🇩🇪

Leni Riefenstahl (Universal Filmlexikon, 1932) | www.vintoz.com

Der heilige Berg and Die Hölle vom Piz Palü made terrific demands on the vitality and courage of this true artist, Leni Riefenstahl

Szőke Szakáll (Universal Filmlexikon, 1932) | www.vintoz.com

Among the film artists who have recently come to the forefront of public interest, Szőke Szakáll [S. Z. Sakall] occupies a prominent position

Josef Stein (Universal Filmlexikon — 1932) | www.vintoz.com

Josef Stein is one of the pioneers of the German film

Anna Sten (Universal Filmlexikon — 1932) | www.vintoz.com

Anna Sten had the great good fortune to be trained for the talking screen by Sergei Eisenstein

Karl Valentin (Universal Filmlexikon, 1932) | www.vintoz.com

Karl Valentin is the German Charlie Chaplin

Conrad Veidt (Universal Filmlexikon — 1932) | www.vintoz.com

The consummate artistry with which Conrad Veidt portrayed the Prince Metternich character, has earned him unanimous appreciation all over the World

Paul Verhoeven (Universal Filmlexikon — 1932) | www.vintoz.com

Paul Verhoeven is one of the most talented of the younger generation of German stage actors

Käthe von Nagy (Universal Filmlexikon — 1932) | www.vintoz.com

The talking film hastened Käthe von Nagy’s development and progress to an extraordinary extent; the spoken word was what she had long missed as the medium for the most effective interpretation of human character, the pliant instrument of subtle emotion

Dorothea Wieck (Universal Filmlexikon — 1932) | www.vintoz.com

Dorothea Wieck is one of the most talented and versatile actresses on the German stage to-day

Billie Wilder (Universal Filmlexikon — 1932) | www.vintoz.com

There are few names which appear to be so closely associated both with the German talking film and with the talking film in general as that of Billy Wilder

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How I Became A Photoplayer (1917) | www.vintoz.com
October 31, 2024

How I Became A Photoplayer (1917) 🇺🇸

Bessie Eyton — How I Became a Photoplayer (1916) | www.vintoz.com

Bessie Eyton

A motion picture actress must know how to ride, to shoot, to fence, to dance, and to motor

William Farnum — How I Became a Photoplayer (1916) | www.vintoz.com

William Farnum

I have just completed my seventeenth film production, or approximately 225,000 feet of celluloid in the two years in which I have been in the photoplay”

Pauline Frederick (1926) | www.vintoz.com

Pauline Frederick

“Like every other actress, I had long since decided that the movies were a haven of refuge for those inferior actors and actresses who had difficulty in obtaining regular employment on the stage

Vivian Martin — How I Became a Photoplayer (1916) | www.vintoz.com

Vivian Martin

“Should you honor me to the extent of desiring my autographed photo, I shall be glad to send you one

Lillian Walker — How I Became a Photoplayer (1916) | www.vintoz.com

Lillian Walker

The first picture I worked in was never released

Henry B. Walthall — Motography’s Gallery of Picture Players (1914) | www.vintoz.com

Henry B. Walthall

I took up the study of law. Once when I took the floor and delivered a brief legal plea, I knew instantly it was the stage I wanted”

Earle Williams — How I Became a Photoplayer (1916) | www.vintoz.com

Earle Williams

“I have had many offers to return to the so-called legitimate stage, but nothing now, it seems, will ever divorce me from the Photoplay

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