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Blue Book of the Screen (1923) 🇺🇸
Note: Obvious limitations of space prevent the inclusion of many players who may feel, and, perhaps, justly, that they should have been “among those present”. The publishers assume no liability for such omissions; nor for any inaccuracies in the contents hereof. Every effort has been made to present authentic information only.
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Studio Heads, Directors, Producers and other Big Wigs
Collection: Blue Book of the Screen (1923)
The Screen Children’s Gallery (1914) 🇺🇸
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Yale Boss |
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Andy Clarke |
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Bobby Connelly |
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Helen Connelly |
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Edna Hammel |
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Adelaide Lawrence |
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Matty Roubert |
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Ordean Stark |
Magazine Writers
100 years of writing for the movie industry; these are some of the people who dipped their quills into ink pots and wrote about Hollywood & Co:
A. L. Wooldridge Adela Rogers St. Johns Adelaide Parmeter Adele Whitely Fletcher Alma Talley Arthur Williams B. F. Zeidman Barbara Barry Barbara Beach Barbara Little Ben Maddox Betty Standish Caroline Bell Charles Henry Steele Daniel Teago David Arnold David J. Hanna Dena Reed Dick Willis Donald Henderson Clarke Doris Denbo Dorothy Calhoun Dorothy Donnell Dorothy Herzog Dorothy Manners Dorothy Spensley E. J. Smithson E. R. Thompson Edward Nagle Edwin Schallert Elisabeth Goldbeck Elizabeth Lonergan Ellen Woods Elza Schallert Pearl Gaddis Esther Meade Evelyn Gray Faith Baldwin Faith Service Forrest Winship Frances Denton Frances Rule Frederick Lewis Fritzi Remont Gene Schrott Gladys Hall Grace Halton Grace Kingsley Gunnar Norberg H. H. Van Loan Hal Whitehead Hale Horton Harriet Parsons Harry Carr Helen Klumph Helen Louise Walker Helen Ogden Herbert Cruikshank Herbert Howe Hilary Lynn Homer Croy Howard Sharpe Ida Zeitlin |
Irene Thirer Jack Grant Jack Jamison James Fidler Jeanne de Kolty Jerome Shorey Jerry Asher Jim Tully Joan Jordan John Godfrey John Kent John Ringo Graham John Schwarzkopf Karen Hollis Katherine Albert Kay Osborn Kenneth McGaffey Kirtley Baskette Lee Blackstock Lillian Conlon Louella Parsons Louis Lee Arms Lucille Bryers Mabel Condon Madge Tennant Malcolm H. Oettinger Margaret Angus Margaret B. Ringnalda Margaret Ettinger Margaret Mary Joslyn Margaret Reid Marguerite Sheridan Marjorie Manners Marjorie Wright Martha Kerr Mary Sharon Mary Watkins Reeves Mary Winship Max Breen Myrene Wentworth Myrtle Gebhart Nan Campbell Nanette Kutner Nickolas Muray Patricia Keats Paul Grant Peter White Ramon Romero Randolph Bartlett Robert Eichberg Robert Joseph Rosa Reilly Russell Ferguson Ruth Biery Ruth Dryden Ruth Waterbury Samuel Richard Mook Sara Hamilton Sonia Lee Sydney Valentine Terry Ramsaye Thyra Samter Winslow Whitney Williams |
Universal Filmlexikon — 1932 🇩🇪 🇬🇧
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It does not often happen that an almost unknown small part actor becomes a world famous stage and screen star, but Hans Albers is one of those who have succeeded in accomplishing this feat |
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Anthony Asquith is looked upon as one of the few directors who may always be relied upon to combine in film production high artistic merit with commercial success |
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The character actor Harry Baur has not lacked recognition up to now; he was appreciated as an ornament of the French stage, but not too many people outside France were aware of his high artistic capabilities 🇫🇷 🇩🇪 |
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Carl Boese has cause to be proud of the fact that during the last few years he has influenced the entire trend of film production |
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Victor de Kowa is the very type for amorous roles and counts among the most popular stage and film lovers |
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At one stroke Marlene Dietrich rose to the front rank of film actress — one of the very few artists who have ever reached the top with such amazing rapidity |
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The son of an old aristocratic Austrian family, Arthur von Diossy was originally intended for a diplomatic career |
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Will Dohm’s great versatility and his extra-ordinary knowledge of make-up render him particularly suitable for the talking screen |
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When the talking film was first introduced, E. W. Emo was one of the first to realize fully, and also to exploit, the immense new possibilities presented by this new medium |
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Jill Esmond has achieved popularity with the general public, the admiration of the profession and the respect of the press |
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Dr. Arnold Fanck is responsible for the most magnificent Alpine films ever produced |
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Willy Fritsch occupies a prominent place among the most successful German screen actors of the present time |
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Carl Froelich is one of the foremost and best known film director in Germany |
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Gustav Fröhlich had to overcome many an obstacle before he attained his present prominent position |
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Dolly Haas’ acting is characterized by an enthralling charm, accentuated by a graceful mobility and a highly developed sense of fun |
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Karl Hartl is known in the film world as director and author of a large number of scenarios and stories |
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Lilian Harvey is the darling of the cinema-going public all over the world |
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Paul Hörbiger studied chemistry and took part in the war as an active officer before going on the stage |
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Emil Jannings is the most distinguished and successful of German film actors |
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Out of realism Leopold Jessner developed a most striking technique, the effectiveness of which was demonstrated when, in 1919, he produced a series of classical plays, such as Richard III. and Othello |
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Wolfram Junghans’ instructional film “Biene Maja” was a great success |
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Lisl Karlstadt cannot be mentioned without Karl Valentin. For two decades she has never appeared on the stage with anyone else |
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Cary von Krall was engaged by the Orbis Filmgesellschaft to play in a series of apache films with Stella Harff and Ludwig Trautmann |
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Those who know what great importance G. W. Pabst attaches to the pictorial quality of his productions will be able to conclude from that circumstance alone that Walter Robert Lach is a cameraman of the very first rank |
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From the very first, Elsa Lanchester was taken seriously by press and public alike |
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When Francis Lederer’s contract was to begin, Hollywood ceased making silent films and the contract had to be cancelled, since his knowledge of English was then inadequate |
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Recently, when Erich Pommer saw Herbert Lomas act in London, he said “If I had seen him a few months ago, I would have made an English Version of my latest film and would have offered Mr. Lomas the Jannings part.” |
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Before achieving success on the screen, Percy Marmont had a brilliant stage career |
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Herbert Marshall has secured a place in the front rank of British film actors |
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Dominated by a romantic idea, Joe Pasternak attained his goal after many adventurous experiences |
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Since 1927 Erich Pommer has been producing movies for the Ufa within his Erich-Pommer-Produktion |
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Albert Préjean — film star of international renown 🇫🇷 🇩🇪 |
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Der heilige Berg and Die Hölle vom Piz Palü made terrific demands on the vitality and courage of this true artist, Leni Riefenstahl |
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Among the film artists who have recently come to the forefront of public interest, Szőke Szakáll [S. Z. Sakall] occupies a prominent position |
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Josef Stein is one of the pioneers of the German film |
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Anna Sten had the great good fortune to be trained for the talking screen by Sergei Eisenstein |
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Karl Valentin is the German Charlie Chaplin |
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The consummate artistry with which Conrad Veidt portrayed the Prince Metternich character, has earned him unanimous appreciation all over the World |
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Paul Verhoeven is one of the most talented of the younger generation of German stage actors |
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The talking film hastened Käthe von Nagy’s development and progress to an extraordinary extent; the spoken word was what she had long missed as the medium for the most effective interpretation of human character, the pliant instrument of subtle emotion |
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Dorothea Wieck is one of the most talented and versatile actresses on the German stage to-day |
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There are few names which appear to be so closely associated both with the German talking film and with the talking film in general as that of Billy Wilder |
Interviews with People Prominent in Production (1936 and 1937) 🇺🇸
- Sol Lesser (December 1936)
- George A. Hirliman (December 1936)
- E. B. Derr (January 1937)
- Nat Levine (January 1937)
- Maurice Conn (January 1937)
- I. E. Chadwick (February 1937)
- Robert E. Welsh
- Edward Halperin and Victor Halperin
- B. F. Zeidman (February 1937)
- B. F. Zeidman (March 1937)
- David L. Loew (March 1937)
- Harry Sherman (April 1937)
- Richard A. Rowland
- Lindsley Parsons
How I Became A Photoplayer (1917) 🇺🇸
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“A motion picture actress must know how to ride, to shoot, to fence, to dance, and to motor” |
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“I have just completed my seventeenth film production, or approximately 225,000 feet of celluloid in the two years in which I have been in the photoplay” |
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“Like every other actress, I had long since decided that the movies were a haven of refuge for those inferior actors and actresses who had difficulty in obtaining regular employment on the stage” |
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“Should you honor me to the extent of desiring my autographed photo, I shall be glad to send you one” |
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“The first picture I worked in was never released” |
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“I took up the study of law. Once when I took the floor and delivered a brief legal plea, I knew instantly it was the stage I wanted” |
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“I have had many offers to return to the so-called legitimate stage, but nothing now, it seems, will ever divorce me from the Photoplay” |
Who’s Who in the Film Game (1912 to 1913) 🇺🇸
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Madame Blaché has very little patience with the film censors. She is French and believes in realism |
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Agnes Egan wanted to know the film game from all the points of the compass. Posters were something else. She was the first saleswoman for colored lithographs, specializing motion pictures. |
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Charlie Hite is one of the very few film men who recognized the possibilities of outside investors |
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Adolph Zukor is the The A to Z Man of the film business |
Sans Grease Paint and Wig (1912 to 1914) 🇺🇸
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“There! you’re the wappiest looking little ‘wap’ ever” |
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“I write, produce and take the lead in my own pictures. My record so far is to write and produce a picture in six hours. Easy!” |
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“I was the first legitimate star to go into pictures” |
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“I’ve never been interviewed by a girl in my life” |
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“Air is food and drink to me. Really” |
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“I like pictures so well that I’m anxious to like the making of them” |
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“I try to be funny in my appearance and my actions on the screen: funny but never repulsive. Always odd, but never repulsive” |
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“I threw my coat at somebody and ran down the middle of that howling crowd” |
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“It’s five years since I went into picture work” |
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“In the fall one wants to be right in New York; there is everything one wants in New York” |
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Clara Kimball Young (March 1914) “Fat? It’s the new kind of skin-food I’m using!” |
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Clara Kimball Young (September 1914) “I want to play every variety of emotion. I love the dramatic and I intend to reveal it; I like good comedy, too; but I do not care about burlesque” |
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“Terrible times I’ve had in New York — terrible!” |
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“I just love the work because there is always something new and the players have time to live like real people” |
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“‘Lab-a-die’ is the correct way, but I don’t mind how it is pronounced. It should have been ‘Smith’” |
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“If I was dressed as a messenger boy, it must have been a hot day” |
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“I seemed to fill the requirement of the youthful lead, so here I’ve been ever since” |
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“There’s always more fun in doing what one shouldn’t do” |
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“Fiery red [hair was] the curse of my young life, but thank heaven, I was spared watery blue eyes” |
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“Affectation spoils any picture for me — but there are people who seem to believe in it” |
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“My work in pictures has earned me the title ‘dare-devil.’ There is nothing I have been asked to do that I didn’t do” |
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“I’m dreadful at higher mathematics” |
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“I can express any emotion, interrogative or otherwise, with my eye-brows.” |
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“It’s been a rush from one scene to another and from the studio to the dressing-room and back again. And that’s what I love — lots of rush” |
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George Periolat (December 1912) “Photoplays are the greatest things in the world, today; and they’ve just started. The players who get into them now, while the profession is still young, are lucky” |
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We don’t work on the picture every day, but when we do, we work hard” |
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“If you don’t mind, we can talk while I dress for the next scene”
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If others were as critical as I, I’m afraid people wouldn’t like my work at all.” |
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“I put my foot in my mouth every time I open it, and I can’t tell you any pretty tales to make a story out of; all I can do is tell you the truth” |
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“Where did I put that lemon? I should have swallowed it long ago, but I forgot. It helps my voice, you know” |
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“Appearance is a study, and clothes are as much a part of this study as grease-paint and wig” |
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“There’s room for me out-of-doors” |
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“I like my work, I like the Edison people, and my husband and I have the best times in the world” |
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“Not that I would have objected to becoming president of the bank, some day, but there were several men ahead of me who would have had to die first” |
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“I believe too, that the object should be to project thought, in making a meaning clear instead of gesticulating. These are simple methods, but simplicity always scores strongest” |
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“I’m usually cast as ‘heavy’ but in the picture we came here to make, I have a straight part. The character and I last throughout the four reels.” |
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“I can do the most daring things and not get a scratch, but the minute I try something easy I nearly lose my life” |
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“It’s necessary to be in touch with things right at their heart, with all due respect to Jersey.” |
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“I began my stage work as a quartet” |
Motography’s Gallery of Picture Players (1912 to 1915) | www.vintoz.com 🇺🇸
Movie Posters – A Resurrected Art (1970) 🇺🇸
The Unfamous of Hollywood (1934) 🇺🇸
Twenty Impertinent Questions (Movie Classic Magazine, 1933) 🇺🇸
Motion Picture Magazine — Men Behind the Stars (1936 to 1938) 🇺🇸
Short introductions of Movie Directors and Film Crew by Motion Picture Magazine: Richard Boleslawski | Clarence Brown | Frank Capra | George Cukor | Roy Del Ruth | William Dieterle | Victor Fleming | John Ford | Tay Garnett | E. H. Griffith | Gregory La Cava | Robert Z. Leonard | Mervyn LeRoy | Frank Lloyd | Archie Mayo | Hal Mohr | Wesley Ruggles | Mark Sandrich | John M. Stahl | Richard Thorpe | King Vidor | William Wyler
Spellbound (Alfred Hitchcock, 1945) 🇺🇸
Man in the Shadow (Jack Arnold, 1957) 🇺🇸
How to Design a Great Movie Poster
The Lady from Shanghai (Orson Welles, 1947) 🇺🇸
Night Must Fall (Richard Thorpe, 1937) 🇺🇸
King Kong (Merian C. Cooper and Ernest B. Schoedsack, 1933) 🇺🇸
It all started with a misunderstanding. When Cooper told actress Fay Wray that she would be starring with the “tallest, darkest leading man in Hollywood”, she had no inkling that she’d end up captured by a hairy monster who was nothing like Clark Gable at all! The name is Kong, King Kong.
James Bond — Moonraker (Lewis Gilbert, 1979) 🇺🇸
James Bond Inspired Gift Ideas
After years of delays due to the COVID-19 pandemic, Bond lovers finally got their fix and the latest installment to the franchise, “No Time To Die”, has been released in 2021. Time to get in your mission to discover James Bond inspired gift ideas that will really hit home with any die hard fan!