Among Those Present (1924 to 1928) 🇺🇸
- 1924–02 — Claude Gillingwater — A Movie Homesteader
- 1924–02 — Edythe Chapman — The Secret of a New Mother Type
- 1924–02 — Lou Tellegen — The Return of the Great Lover
- 1924–02 — Percy Marmont — An Overnight Success — After Years of Plodding
- 1924–02 — Virginia Valli — The Sleeping Beauty Wakes Up
- 1924–02 — Mildred Davis — One Half of the House of Lloyd
- 1924–02 — Will Rogers Rambles
—
- 1924–03 — Helen Ferguson — The Battle of Helen and the Jinx
- 1924–03 — Tully Marshall — Our Best Protean Actor Reforms
- 1924–03 — Winifred Bryson — A Beauty with Possibilities
- 1924–03 — Ethel Shannon Gets Confidential
- 1924–03 — Monty Banks — Monty Jumps into Features
- 1924–03 — Milton Sills — The Exhibitors’ Pride
- 1924–03 — Priscilla Dean Moran — Priscilla’s Erratic Good Fairy
- 1924–03 — John Harron — The Handicap of a Famous Name
- 1924–03 — Mae Marsh — Onlooker
- 1924–03 — Robert Agnew — Bobby from Texas
—
- 1924–04 — Huntley Gordon — A Well-Dressed Man of Affairs
- 1924–04 — Billy Sullivan — Reginald Denny’s Successor
- 1924–04 — Carmelita Geraghty — Carmelita — Child of Fortune
- 1924–04 — Anne Cornwall — One Brunette Against the Blondes
- 1924–04 — Concerning Harry Carey
- 1924–04 — Cullen Landis — That Ridin’ Landis Kid
- 1924–04 — June Mathis — The Machine-Gun of the Movies
—
- 1924–05 — Louis H. Tolhurst — Hollywood’s Most Patient Director
- 1924–05 — Laurette Taylor — Peg Returns In A New Dress
- 1924–05 — Fred Thomson — By Way of a Pulpit
- 1924–05 — Estelle Taylor — Baffling Estelle
- 1924–05 —George O’Hara — His Career
- 1924–05 — Burton McEvilly — The Curse of an Acting Heart
- 1924–05 — Syd Chaplin — A Case of Suppressed Villainy
- 1924–05 — Pat O’Malley — Patrick Should Worry!
—
- 1924–06 — Dmitriy Bukhovetskiy — Pola’s New Director
- 1924–06 — Eddie Phillips — A Rising Young Man
- 1924–06 — Edith Allen — A Girl of the Ritz
- 1924–06 — Margaret Morris — Dollars and Doughnuts
- 1924–06 — Muriel Frances Dana — Mostly About Dolls
- 1924–06 — Laura La Plante — A New Ingénue Star
- 1924–06 — Alma Bennett — The Girl Who Waited a Year
- 1924–06 — Gypsy Norman — The Countess Stooped to Conquer
—
- 1924–07 — Annette Kellermann — Neptune’s Daughter Acts Under the Sea
- 1924–07 — Joseph Depew — Peter Pan, Perhaps
- 1924–07 — Gertrude Olmstead — An Irish Esther
- 1924–07 — William V. Mong — No Time Off For Mong
- 1924–07 — Charles Ogle — Was It Luck — Do You Think?
- 1924–07 — Victor Varconi — Hungary Sends a Missionary
- 1924–07 — Josef Swickard — Sunset Visions
- 1924–07 — Paulette Duval — La Belle Duval
- 1924–07 — Shannon Day — Eyes of Promise
—
- 1924–08 — Florence Turner — An Old Favorite Returns
- 1924–08 — André Daven — A Young Man of Promise
- 1924–08 — Ricardo Cortez — Why Make Him a Latin Lover?
- 1924–08 — Lottie Cruze — Ask Lottie — She Knows
- 1924–08 — Madame Helene — She Feeds the Stars
- 1924–08 — Milba K. Lloyd — The Only One of Her Kind
- 1924–08 — Cesare Gravina — A Successful Portrayer of Failures
- 1924–08 — May Allison — No More Pouts or Curls
- 1924–08 — Edward Burns — Overcoming a Handicap
- 1924–08 — Mary Carr — A Contingent of Carrs
—
- 1925–03 — Louise Dresser — An Important Discovery
- 1925–03 — Claire McDowell — A Portrait of a Lady
- 1925–03 — Marc Antony Gonzales — The Newest of the Latins
- 1925–03 — Natalie Kingston — Dancing Her Way to Fame
- 1925–03 — Carlo Schipa — Another Recruit for Romance
- 1925–03 — Rowland V. Lee — He Might Have Been a Pioneer
- 1925–03 — Emily Fitzroy — The Granite Woman
- 1925–03 — Ralph Graves — Reversing the Process
- 1925–03 — Clare Eames — A Player of Queens
- 1925–03 — Edith Roberts — A Spirited Heroine
- 1925–03 — Frank Butler — Beneath the Mask
- 1925–03 — Sōjin Kamiyama — The Mature Student
—
- 1925–04 — Tancred Ibsen — Good News for Highbrows
- 1925–04 — Edward Everett Horton — Playing Safe With Fame
- 1925–04 — Betty Jewel — How Betty Broke In
- 1925–04 — Snitz Edwards — A New Career at Sixty
- 1925–04 — Lucille Lee Stewart — An Occasional Visitor
- 1925–04 — John Francis Dillon — How Directors are Made
- 1925–04 — Evelyn Brent — Out of the Fog
- 1925–04 — Bryant Washburn — By the Sign of the Mustache
- 1925–04 — Forrest Stanley — Wedded to the Screen at Last
- 1925–04 — Jean Hersholt — An Artist of the Grotesque
- 1925–04 — Creighton Hale — And How He Rose
- 1925–04 — Belle Bennett — The Fatal Wedding
—
- 1925–05 — Dorothy Sebastian — She Went to Headquarters
- 1925–05 — Bess Meredyth — Niblo’s First Lieutenant
—
1925–06 — xxx
— CHECK LINKS
- 1925–07 — Louis John Bartels — Another Recruit from the Stage
- 1925–07 — Sally O‘Neil — Irish Luck
- 1925–07 — Alfred J. Goulding — The Prize Waiter
- 1925–07 — Lillian Rich — No Poor Little Rich Girl
- 1925–07 — Arthur Edmund Carewe — He Refuses to be Labeled
- 1925–07 — Mitchell Lewis — A Player You Should Know
- 1925–07 — Estelle Clark — The Five Thousandth
- 1925–07 — Hallam Cooley — Too Good a Trouper
- 1925–07 — Benjamin Christensen — Another Foreign Director
—
- 1925–09 — Duane Thompson — She Knows What She Wants
- 1925–09 — Walter McGrail — A Villain Gone Wrong
- 1925–09 — Louis Natheaux — A Kiss Won a Contract
- 1925–09 — Lawrence Gray — Bebe Daniels Told Him to Become an Actor
- 1925–09 — Jannie ‘Mango’ Hoskins — Farina’s Sister
- 1925–09 — Youcca Troubetzkoy — A Real Prince at Last
- 1925–09 — Olive Borden — Not Classified
- 1925–09 — Gertrude Astor — Better Late Than Never
- 1925–09 — Noah Young and Sammy Brooks — A Nine-Year Quarrel
- 1925–09 — William Boyd Joins De Mille ADD TEXT
- 1925–09 — Kathleen Collins — Another Arrival from Texas
- 1925–09 — Richard Arlen — They Almost Called Him “Doc” Arlen
—
- 1925–10 — Matt Moore — Content to Be Single
- 1925–10 — Jocelyn Lee — From Convent to “Scandals”
- 1925–10 — Robert Ames — A Coming Star
- 1925–10 — Fiona Hale — Succeeding to the Social Throne
- 1925–10 — Dorothy Cumming — A Charming Entangler
- 1925–10 — Rita Carita — The Foreign American
- 1925–10 — Charley Chase — Reversing the Usual Order
- 1925–10 — Clara Horton — A Frank Admission
- 1925–10 — Charles H. Puffy — Just “Puffy” Himself
- 1925–10 — Theodor von Eltz — A Dependable Actor
- 1925–10 — Josephine Norman — The Magazine-Cover Girl
- 1925–10 — Harry “Jingles” Keaton — Jingling up the Ladder
- 1925–10 — Paul Nicholson — A Pioneer Comes Back
—
—
- 1926–06 — Marion Harlan — The O. Henry Girl
- 1926–06 — Johnny Downs — He Got the Job
- 1926–06 — Frank Currier — A Veteran Player
- 1926–06 — Lita Lopez — A Dream that Vanished
- 1926–06 — Don Alvarado — Another Latin
- 1926–06 — Edna Marion — From the Movie Training School
- 1926–06 — Frances Dale — She Can’t Grow Young Again
- 1926–06 — Hanns Kräly — They Can’t Overwork Kraly
- 1926–06 — Helene Sullivan — The Evolution of the “White Vamp”
- 1926–06 — Joyce Compton — Yet Another Cinderella
- 1926–06 — Nigel Barrie — Back from Foreign Service
—
- 1926–10 — Montagu Love Returns
- 1926–10 — Ethel Shannon — She Sold Her Piano to Get a Start
- 1926–10 — Robert Ames — One of Our Best Young Comedians
- 1926–10 — Margaret Quimby — Hail, Another Dancer!
- 1926–10 — William J. Kelly — A Man You Should Know
- 1926–10 — Robert Edeson — The Face of a Financier
- 1926–10 — Lawrence Gray — Fate Made Him an Actor
- 1926–10 — Charles “Buddy” Rogers — Fame Was Thrust Upon Him
- 1926–10 — Edwards Davis — Almost Great
- 1926–10 — Janet Gaynor — One of the Favored Few
—
- 1927–01 — Gloria Gordon — At Last She Beat the Jinx
- 1927–01 — Lucien Prival — Not Von Stroheim?
- 1927–01 — J. Farrell MacDonald — He Has Seen Life
- 1927–01 — Aileen Manning — This Movie Actress is an Architect
- 1927–01 — Nancy Kelley — A “Perfect” Child
- 1927–01 — Sam Hardy — He Just Wouldn’t Go into the Movies
- 1927–01 — Patricia Avery — From Stenography to Stardom
- 1927–01 — Jack Duffy — Youth in Disguise
- 1927–01 — Ruby Blaine — Out of the West
- 1927–01 — Nils Chrisander — Pola Negri’s First Leading Man
—
- 1928–03 — Nita Martan — She’s a Composer, Too
- 1928–03 — Let’s Hear About Edna May
- 1928–03 — Lupe Vélez — Thanks to Mexico
- 1928–03 — Alice Lake Returns
- 1928–03 — Mrs. Charles Emmett Mack — A Heart Courageous
- 1928–03 — Sue Carol — A Cheerful Carol
- 1928–03 — William Austin — A New Style of Comedian
- 1928–03 — Leila Hyams — A Daughter of the Stage
- 1928–03 — Virginia Bradford — She Began as a Writer
- 1928–03 — Nicholas Soussanin — “It’s an Ill Wind”
- 1928–03 — Francis Marion — The Boy Grows Older
—
1928–04 — N/A
—
1928–05 — N/A
—
1928–06 — N/A