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The Lady from Shanghai (Orson Welles, 1947) 🇺🇸
The impression we get is of a ballroom scene, endlessly repeated in an enigmatic interplay of mirrors. His hand placed firmly on her bare back, the man leads his partner (the marvellous Rita Hayworth) in a dizzying dance of death. They have played the game right to the bitter end, but it is almost midnight – the moment of truth is nigh! – and he holds her tight. Will he manage to see what exactly lays hidden on the other side of the mirror?
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