Vintage Movie Resources
The Celluloid Drama in Japan (1918) 🇺🇸
Elsie Ferguson — Advantages of the Screen Over the Stage (1918) 🇺🇸
Edna Goodrich — The Importance of Being Well-Dressed (1918) 🇺🇸
Shirley Mason — The Evolution of a Star (1918) 🇺🇸
How one ambitious little girl was made over for the movies
Dave Butler — Fat Boy, (Ring Bearer) — Tight Pants — (1919) 🇺🇸
Enid Markey — Re-discovering an ingénue (1919) 🇺🇸
Lila Leslie — Motography’s Gallery of Picture Players (1914) 🇺🇸
Lila Leslie, of the Lubin stock company at Philadelphia, is a native of Australia.
Arthur Hotaling — Motography’s Gallery of Picture Players (1914) 🇺🇸
Arthur D. Hotaling is an expert in all branches of motion picture manufacture.
Kempton Greene — Motography’s Gallery of Picture Players (1914) 🇺🇸
Kempton Greene’s years of service with the Lubin company number three.
Florence Hackett — Motography’s Gallery of Picture Players (1914) 🇺🇸
Florence Hackett, two and a half years ago, was assigned by the Lubin management to Arthur Johnson’s company.
Yale Boss — The Screen Children’s Gallery (1914) 🇺🇸
Yale Boss receives a large personal mail. It is the kind of mail that follows the screen.
Ordean Stark — The Screen Children’s Gallery (1914) 🇺🇸
A little while ago I walked into a motion picture house to talk with an exhibitor. Involuntarily my eyes wandered in the direction of the screen, and immediately stayed there charmed by the work of a child artist whom I had never seen before either on or off the screen.
David Belasco on Motion Pictures (1914) 🇺🇸
In an exclusive interview with the Moving Picture World the great master of visualization tells of his impressions and expectations
Robert J. Connelly — The Screen Children’s Gallery (1914) 🇺🇸
The interview with Master Robert J. Connelly was robbed of all privacy through the enthusiastic interest displayed in the proceedings by the staff and the bystanders in the offices of the Vitagraph publicity department.
Helen E. Connelly — The Screen Children’s Gallery (1914) 🇺🇸
Miss Helen E. Connelly, aged six, is a most bewitching little lady with soft brown eyes and an air of artistic languor
Edna Hamel — The Screen Children’s Gallery (1914) 🇺🇸
Edna, who still has two years to travel before entering her ‘teens, is, in spite of her tender youth, a theatrical veteran, having begun her artistic career as the “Baby” in Francis Wilson’s popular success, “The Bachelor’s Baby.”
“Andy” Clarke — The Screen Children’s Gallery (1914) 🇺🇸
“Andy”, who made the “Andy” series famous, was called to his first interview straight from the camera and in full costume, the latter consisting of a grandfather’s high hat, a pair of long pants and a black mustache.
Adelaide Lawrence — The Screen Children’s Gallery (1914) 🇺🇸
Interviewed Adelaide Lawrence, aged seven, in the Kalem studio. Adelaide was chaperoned but not coached by both her father and mother, indeed, much of the biographical data were gathered from Adelaide while she was seated on her mother’s knee.
Matthew Roubert — The Screen Children’s Gallery (1914) 🇺🇸
Moving Picture World wishes to pay a well-deserved tribute to the clever and gifted little boys and girls who have helped with such skill and sincerity to make the motion picture true to life.
Rex E. Beach — The Spoilers (1914) 🇺🇸
Author of “The Spoilers” sees filmed story passed by Chicago censors, and gives an interesting interview to world representative.
Roscoe “Fatty” Arbuckle — Roscoe the Great (1916) 🇺🇸
His greatness can be measured with one eye on his accomplishments and the other on his waist line
Gertrude Thanhouser and Edwin Thanhouser — The Thanhousers are Back on the Job (1915) 🇺🇸
Ethel Clayton — Sans Grease Paint and Wig (1913) 🇺🇸
Ethel Clayton is trying to keep from thinking about small-pox. For whatever awful thing she thinks about long enough, she gets.
Arthur V. Johnson — Sans Grease Paint and Wig (1913) 🇺🇸
We were in the midst of a fragile repast of cornbeef and cabbage, green corn and iced tea in the Lubin studio’s dining room, when Arthur V. Johnson found us.