Vintage Movie Resources
Jack Devereaux featured by Triangle (1917) 🇺🇸
Jack Devereaux is said to show every promise of developing into a strong favorite
R. Henry King in “Fortune Photoplay” (1917) 🇺🇸
R. Henry King is a distinguished actor-director
Dell Henderson (1917) 🇺🇸
Dell Henderson has had enough varied experience to equip half a dozen directors
H. H. Van Loan Leaves Universal (1917) 🇺🇸
H. H. Van Loan has been responsible for some of the biggest “stories” of the industry
Allan Dwan Now at Work in East (1917) 🇺🇸
Allan Dwan is one of the youngest veteran directors
William Humphrey with Ivan (1917) 🇺🇸
William Humphrey’s eyes have that conquering Napoleonic look, and that not merely because he is known as the best Napoleon on the stage
Margery Wilson — She Was Padded to Fame (1917) 🇺🇸
Margery Wilson started out by deceiving prospective employers
Rupert Julian — How to Succeed in the Movies (1917) 🇺🇸
After failing at all honest work, Rupert Julian tried the stage
What Kind of a Fellow Is — Fox? (1917) 🇺🇸
“My business is making and showing pictures. I’m William Fox, and always will be.”
What Kind of a Fellow Is — Brady? (1917) 🇺🇸
For those who may wish to interview William A. Brady we cheerfully contribute a time-saving recipe
What Kind of a Fellow Is — Zukor? (1917) 🇺🇸
“Adolph Zukor, when will the stars’ salaries be reduced?”
What Kind of a Fellow Is — Rowland? (1917) 🇺🇸
“More bull,” said Richard A. Rowland tersely. “If you took down my exact words you couldn’t print them. You know that.”
What Kind of a Fellow Is — Abrams? (1917) 🇺🇸
“The film business? Well, that’s a big subject — too big to talk about. Let’s go to lunch and talk Portland”
What Kind of a Fellow Is — Powers? (1917) 🇺🇸
“Ireland’s a peaceful country — comparatively”
Ink in Their Veins (1917) 🇺🇸
Feeling the pulses of those whose life fluid is writing material
Wilfred Buckland — Artistic Titan (1917) 🇺🇸
Wilfred Buckland deals with the battles of beauty
Dorothy Dalton — Dorothy the Determined (1917) 🇺🇸
At the studio of Thomas Ince at Culver City there was one young actress who had set a most prohibitive pace of work
Robert G. Vignola — Photoplay Stars I Have Directed (1917) 🇺🇸
In this age of specialization, when even a motion picture producer concentrates his energies upon the development of photoplay specialists in the various departments of his vast organization, it is interesting to find the motion picture director who is not a specialist and has devoted his energies to the creation of many types of photoplays with many different stars.
Norma Talmadge — My Ammunition Plants (1917) 🇺🇸
As yet I am only a rookie and not a regular farmer or farmerlette, but after my summer of intensive training I will be better equipped to comply with Photo-Play Journal’s request for an article on wartime gardening.
