Vintage Movie Resources
Billie Dove — As She Is (1930) 🇺🇸
Laura La Plante — As She Is (1930) 🇺🇸
by Margaret Reid
Collection: Picture Play Magazine, September 1930
Joan Crawford — As She Is (1930) 🇺🇸
by Margaret Reid
Collection: Picture Play Magazine, August 1930
Janet Gaynor — As She Is (1930) 🇺🇸
by Margaret Reid
Collection: Picture Play Magazine, July 1930
Gary Cooper — As He Is (1930) 🇺🇸
by Margaret Reid
Collection: Picture Play Magazine, March 1930
Adolphe Menjou — As He Is (1929) 🇺🇸
Nils Asther — As He Is (1929) 🇺🇸
Renée Adorée — As She Is (1929) 🇺🇸
An analysis of Miss Adorée’s character reveals one of the unique personalities of Hollywood.
Greta Garbo — As She Is (1928) 🇺🇸
An exceptional and sympathetic analysis of the Garbo personality, which is no less remarkable and unusual outside the studio than before the camera.
Norma Shearer — As She Is (1929) 🇺🇸
Strictly self-made, Miss Shearer is shown in this study to be now serenely and gracefully enjoying the security of stardom, for which she worked so hard.
Corinne Griffith — As She Is (1928) 🇺🇸
Richard Dix — As He Is (1928) 🇺🇸
Norma Talmadge — As She Is (1928) 🇺🇸
Much has been written about Norma Talmadge, but never has her real character been revealed as it is in this frank study — the first of a series of insights into the souls of the cinema great.
Ramon Novarro — As He Is (1928) 🇺🇸
Picture Play is proud to offer this brilliant, comprehensive and sympathetic analysis to the admirers of Mr. Novarro.
Vilma Banky — As She Is (1928) 🇺🇸
Evelyn Brent — As She Is (1929) 🇺🇸
Eleanor Boardman — As She Is (1928) 🇺🇸
An intelligent and comprehensive portrait of one of filmdom’s most vibrant but least-known personalities.
Jack Mulhall — As He Is (1929) 🇺🇸
If there is such a thing in this polyglot land as a hundred per cent American, Jack Mulhall is it.
Ronald Colman — As He Is (1929) 🇺🇸
Careful consideration of Mr. Colman’s likes and dislikes reveals a character unique in Hollywood.
George O’Brien — As He Is (1929) 🇺🇸
Scrutiny of Mr. O’Brien’s qualities, personal and professional, reveals the exact ratio you would expect if you knew him only by his appearance on the screen.
Esther Ralston — As She Is (1929) 🇺🇸
This accurate review of Miss Ralston's life includes the extremes of hardship and luxury, and accounts for the woman she is to-day.
Olga Baclanova — As She Is (1929) 🇺🇸
Steeped in the traditions of the European theater, her respect for her calling is almost a reverence, and her quiet approach to her work and life mystifies the film colony, because there is no mystery about her.
Bill Powell — As He Is (1929) 🇺🇸
A brilliant resume of the character and career of one of the most adroit and sure-fire stars.