Doris Kenyon — A Woman Apart (1925) 🇬🇧
A baffling, intriguing creature, with those flying eyes that do so much heart damage. Doris Kenyon is a princess in a fairy tale, a proud princess with a frozen heart.
The Art of Leatrice Joy (1925) 🇬🇧
Once upon a time, a new and quite original little actress drew towards her, by her work, the most discriminating eyes in the motion picture industry. Needless to say she became a star, but it says much for Leatrice Joy that she did not at the same time, cease being an actress.
The Art of Mary Pickford (1925) 🇬🇧
It is the hardest thing in the world to write about the art of Mary Pickford. Somehow you do not think of her as an artist. You think of her, first and foremost, as just Mary.
The Art of Douglas Fairbanks (1925) 🇬🇧
The author of this series has chosen his subjects with great deliberation, taking only those whose work seems to him a permanent and essential contribution to the art of the screen.
The Art of Charles Chaplin (1925) 🇬🇧
The art of Charlie Chaplin is the art of perfect pantomime. He is the only true mime in the kinema.
The Art of Ian Keith (1925) 🇬🇧
Ian Keith has discovered the kinema; when will the kinema discover Ian Keith?
The Art of Bernhard Goetzke (1925) 🇬🇧
Mysterious eyes, holding you, an immobile face, above a sculpturally immobile figure, striking you with an amazing sense of power restrained. The art of Bernhard Goetzke lies not in what he does, but in what he is powerful enough not to do.
The Art of John Barrymore (1925) 🇬🇧
The Author of this series has chosen his subjects with great deliberation, taking only those stars whose work seems to him a permanent and essential contribution to the art of the screen.
The Art of Adolphe Menjou (1925) 🇬🇧
The author of this series has chosen his subjects with great deliberation, taking only those stars whose work seems to him a permanent and essential contribution to the art of the screen.
The Art of Alla Nazimova (1925) 🇬🇧
In the following series of studies the author has chosen his subjects with great deliberation, taking only those stars whose work seems to him a permanent and essential contribution to the art of the screen. He has tried to reduce effects to causes, and to discover in each of his subjects the characteristic quality that underlies success.