Vintage Movie Resources
Roland Totheroh — Little Close-Ups of the A. S. C. (1922) 🇺🇸
William C. McGann — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Hugh McClung — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Hugh McClung thinks the camera is the big thing in motion pictures
L. Guy Wilky — Little Close-Ups of the A. S. C. (1922) 🇺🇸
L. Guy Wilky, A. S. C, began his career as a cinematographer with the old Lubin company in the days when Lubin, Kalem, Selig and Essanay were names to conjure with in the movie world.
L. Guy’s first work was under direction of Romaine Fielding, a director who knew his business in those early days, and with whom Mr. Wilky remained during the three years he spent at the Lubin studio. He went to the American at Santa Barbara after leaving Lubin and remained there one year during which time he photographed Westerns which were among the best of that time.
Thos. H. Ince [Thomas H. Ince] sent for Mr. Wilky and he joined on at Inceville for three pictures featuring Enid Bennett. They were “Her Mother Instinct,” “The Girl Glory,” “Free and Equal.” His next engagement was with Warren Kerrigan whom he photographed in “A Man’s Man” and “The Turn of a Card,” two of Kerrigan’s best pictures.
Mr. Wilky was with Louise Glaum for one year. Among the pictures he photographed for her were “An Alien Enemy,” “A Law Unto Herself,” “Shackled,” “The Goddess of Lost Lake.” Following this he went to Bessie Barriscale for “Two Gun Betty,” “A Trick of Fate,” “Josslyn’s Wife’ ‘and “The Woman Michael Married.” He left this connection to accept a berth at Lasky’s where he has been chief cinematographer for William De Mille ever since. Some of his best known Paramount releases are “The Tree of Knowledge” with Robert Warwick; “Jack Straw” also with Warwick; “Midsummer Madness,” “The Lost Romance,” “What Every Woman Knows,” “The Prince Chap” with Tom Meighan [Thomas Meighan], “Conrad in Quest of his Youth,” etc.
If you ask Mr. Wilky what, in his estimation, is the best picture he ever shot, he’ll tell you it was the picture of his six months’ old baby.

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Collection: American Cinematographer, February 1922
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see here all Little Close-Ups of the A. S. C. (1922)
W. Steve Smith Jr. — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Phil Rosen — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Virgil Miller — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Joseph A. Dubray — Little Close-Ups of the A. S. C. (1922) 🇺🇸
James Van Trees — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Jackson Rose — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Fred Jackman — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Georges Benoît — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Rudolph J. Bergquist — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Gus Peterson — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Paul P. Perry — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Harry Thorpe — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Eugene Gaudio — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Eugene Gaudio and his brother Tony Gaudio had early training in the photographic art in the portrait studio of their father
Georges Rizard — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Georges Rizard knew a lot of photography before he bade bonjour to La Belle France

