Vintage Movie Resources
William Austin (1932) 🇺🇸
Grow a moustache and you will always be able to secure work in motion pictures
Stars That Never Were (1932) 🇺🇸
Why do players who shine from the first, like Barry Norton, fail to go on?
Marian Nixon — Rich Wife (1932) 🇺🇸
Marian Nixon's wealthy marriage couldn't satisfy a girl who had known the joys and sorrows of a career.
Their Little Rages (1932) 🇺🇸
What causes Constance Bennett to exclaim "l hate that!" and what always makes James Cagney mad? Every star is made furious by something. This article tells what.
Sidney Fox — Sweet and Low (1932) 🇺🇸
Success has brought only unhappiness to Sidney Fox — a sympathetic interviewer tells why it's a shame.
One-Day Stars (1932) 🇺🇸
Generally speaking there are three classes of screen stars: those who last for years, those who last for months, and those who last but a day.
Helen Twelvetrees — A Lady in Luck (1932) 🇺🇸
Luck gave Helen Twelvetrees her chances, but she made good on her own.
Tallulah Bankhead — A Lady for Legends (1932) 🇺🇸
"Acting is quite natural with me. I have never even studied it, or taken a lesson in my life. I just act."
Una Merkel — Perky Merkel (1932) 🇺🇸
Una Merkel didn't think she was beautiful enough for pictures, but how she has helped the fifteen she's played in!
Regis Toomey — Nine-O'Clock Guy (1932) 🇺🇸
Though Regis Toomey seldom appears in the magazines, he never fails to come through with a competent and satisfying performance on the screen.
Hardie Albright — Luck and Pluck (1932) 🇺🇸
Our success story this month tells how Hardie Albright's ideas carried him through the dark days to bright prospects.
Genevieve Tobin — Oh, That Mitzi! (1932) 🇺🇸
"I have been making money for years, and have never been dependent upon any man."
Tom Brown — Nix on Dames (1932) 🇺🇸
After dating almost every comely lass in Hollywood except Marie Dressler, Tom Brown, at nineteen, says "Bah!" Here's the sad tale of what the gals dished out to him.
Eric Linden — Boy Wonder (1932) 🇺🇸
Eric Linden admits — no, announces — that he was always that, and you can't blame him after reading this article.
John Arledge - Up Pops Arledge (1932) 🇺🇸
Johnny Arledge, who strode into favor on "Daddy Long Legs," is the cause of all those ah's and oh's.
Wallace Ford — The Boy Without a Name (1932) 🇺🇸
From Wallace Ford — the man who is considered by many as a screen discovery — comes this story, more amazing than any Hollywood scenario.
Exposing Andy Clyde (1932) 🇺🇸
Surprised isn't the word for what you'll be when you learn what sort of a chap Andy Clyde really is. Absolutely different from what you'd expect.
George Brent — Saying “No!” to Hollywood (1932) 🇺🇸
George Brent refuses to be a Clark Gable
John Gilbert's Bugaboo (1932) 🇺🇸
A sympathetic, as well as a brilliant, answer to the question, “What’s happened to Gilbert?” If you long for the old, successful John Gilbert, you will thrill to the fine feeling expressed herein
Sally Eilers — Saying “No!” to Hollywood (1932) 🇺🇸
Sally Eilers refuses to be a typical star
Edgar Wallace’s Hollywood Diary — Part 1 (1932) 🇺🇸
“I never write great stories; I only write best sellers.”
Ricardo Cortez — The Star with the Broken Heart (1932) 🇺🇸
Upon a spring day, a young man walked upon Fifth Avenue. He was going nowhere in particular, seeking nothing save some answer to the call of spring that echoed through the great city. Yet that walk was to change his destiny.
Elissa Landi — How I met Charles Farrell (1932) 🇺🇸
Elissa Landi — Film Star, Composer and Author reminisces — on how she met her co-starring partner Charles Farrell