Vintage Movie Resources
Rosa Gore — Sans Grease Paint and Wig (1913) 🇺🇸
The Pathé studio and Rosa Gore beckoned me toward Jersey City Heights
E. Mandelbaum — President of the World Special (1913) 🇺🇸
The motion picture business has brought to the fore E. Mandelbaum, who has the capacity of playing a distinguished part in it
Chats with the Players — Eleanor Caines, of the Lubin Company (1913) 🇺🇸
Two years ago Eleanor Caines climbed a sixty-foot cliff, while the camera buzzed; she and the man playing opposite were thrown from their horses. His nose was broken, and her arm. Looking at her pretty face, I was glad the accidents were not reversed
Chats with the Players — Fred Mace, of the Keystone Company (1913) 🇺🇸
“My career was an escalator of unbroken successes”
Chats with the Players — Arthur Mackley, of the Essanay (1913) 🇺🇸
Thousands of persons would find it difficult if Arthur Mackley failed to appear as the sheriff in a Western film
Chats with the Players — Miss Muriel Ostriche, of the Éclair Company (1913) 🇺🇸
“They call me the Turkey-Trot Girl at the studio”
Ethel Clayton — Sans Grease Paint and Wig (1913) 🇺🇸
Ethel Clayton is trying to keep from thinking about small-pox. For whatever awful thing she thinks about long enough, she gets.
Arthur V. Johnson — Sans Grease Paint and Wig (1913) 🇺🇸
We were in the midst of a fragile repast of cornbeef and cabbage, green corn and iced tea in the Lubin studio’s dining room, when Arthur V. Johnson found us.
Children of Filmland (1913) 🇺🇸
They’re “regular” stage folk even if they haven’t got a Screen Club or Photoplayers’ Club of their own
Mary Pickford — Sans Grease Paint and Wig (1913) 🇺🇸
Mary Pickford’s dark eyebrows and hazel eyes were quite as I had imagined them, but the blonde curls that bobbed from under her straw hat were a distinct shock, as I had always believed Mary to be a brunette.
Matt Moore — Sans Grease Paint and Wig (1913) 🇺🇸
It was pay-day. Hence quite the most natural place for Matt Moore to be was in the vicinity of the cashier’s window in the Universal’s suite at Forty-eighth street and Broadway.
Norma Phillips — Sans Grease Paint and Wig (1913) 🇺🇸
It was one of the days Norma Phillips was not at work before the camera in the role of “Our Mutual Girl.”
Gertrude Coghlan — Sans Grease Paint and Wig (1913) 🇺🇸
Gertrude Coghlan was about to make her debut as a screen artist
Pearl Sindelar — Sans Grease Paint and Wig (1913) 🇺🇸
Pearl Sindelar was having a day off and was trying to figure out just how many of fifty-seven varieties of things she could do in that one day — three-fourths of a day, really, for it was already 10 a. m.
Agnes Egan Cobb — Who’s Who in the Film Game (1913) 🇺🇸
Facts and fancies about a woman you know or ought to know
Harry Northrup — Sans Grease Paint and Wig (1913) 🇺🇸
It was the day Harry Northrup and his athletic eye-brows got back to the Vitagraph studio from their ten days’ work in Boston, that I crossed the Brooklyn Bridge to get acquainted with them.
Mabel Trunnelle — Sans Grease Paint and Wig (1913) 🇺🇸
It was four o’clock and the One Hundred and Eightieth street entrance to the Bronx park; it should have been three fifty-five and the Two Hundred and Thirty-fifth street exit. That would have given me time to get to the Edison studio and Mabel Trunnelle at exactly four.
Adolph Zukor — Who’s Who in the Film Game (1913) 🇺🇸
Facts and fancies about a man you know or ought to know
William V. Ranous — Motography’s Gallery of Picture Players (1913) 🇺🇸
William V. Ranous is a new support to the Warners’ Features artillery and comes to his new affiliation with a well-known record of world-successes.
Elsie Albert — Motography’s Gallery of Picture Players (1913) 🇺🇸
One of Elsie Albert’s recent accomplishments is directing; with H. C. Matthews, she has been co-director in all of the features in which she has taken the leading part
Gene Gauntier — Motography’s Gallery of Picture Players (1913) 🇺🇸
A certain little town in Missouri makes a big night of it whenever a Gene Gauntier film is being shown there
Jack J. Clark — Motography’s Gallery of Picture Players (1913) 🇺🇸
J. J. Clark went to the Holy Land to film From the Manger to the Cross for Gene Gauntier
Eddie Lyons — Motography’s Gallery of Picture Players (1913) 🇺🇸
Eddie Lyons acts up to the belief that the world is his, not only in filmmaking hours, but out of them as well
Ethel Grandin — Motography’s Gallery of Picture Players (1913) 🇺🇸
Ethel Grandin succeeded Miss Pickford as “the Imp girl”