Vintage Movie Resources
The Art of Douglas Fairbanks (1925) 🇬🇧
The author of this series has chosen his subjects with great deliberation, taking only those whose work seems to him a permanent and essential contribution to the art of the screen.
The Art of Charles Chaplin (1925) 🇬🇧
The Art of Ian Keith (1925) 🇬🇧
Ian Keith has discovered the kinema; when will the kinema discover Ian Keith?
The Art of Bernhard Goetzke (1925) 🇬🇧
Mysterious eyes, holding you, an immobile face, above a sculpturally immobile figure, striking you with an amazing sense of power restrained. The art of Bernhard Goetzke lies not in what he does, but in what he is powerful enough not to do.
Felix the Cat — Me and Pat Sullivan (1925) 🇬🇧
“I guess I was just tickled to death when Picturegoer asked me to write this article.”
Still Photographers — Magic in a Magic City (1925) 🇬🇧
Photographers play a large part in the lives of the movie stars. An artistic photograph is often responsible for the finding and making of a new film player.
Betty Blythe — A Bit About Betty (1925) 🇬🇧
Alma Reville — Alma in Wonderland (1925) 🇬🇧
An interesting article, proving that a woman’s place is not always in the home.
The Art of John Barrymore (1925) 🇬🇧
The Author of this series has chosen his subjects with great deliberation, taking only those stars whose work seems to him a permanent and essential contribution to the art of the screen.
Lloyd Hughes — The Flapper’s Favourite (1925)
De Sola, the character expert, finds the face of this young screen actor makes its special appeal to the less mature element amongst movie audiences.
Anna May Wong — A Chinese Puzzle (1925) 🇬🇧
A Chinese Puzzle — The description suits Anna May Wong to a T.
The Art of Adolphe Menjou (1925) 🇬🇧
The author of this series has chosen his subjects with great deliberation, taking only those stars whose work seems to him a permanent and essential contribution to the art of the screen.
“Katsudoshashin” (活動写真) (1929) 🇺🇸
What is it? Well, read this article and find out for yourselves. Here’s a hint — it has to do with Japan, and American movies.
Walter Hiers — They All Turn Him Down (1921) 🇺🇸
Roy D’Arcy — Just a Little Fella Trying to Get Along (1927) 🇺🇸
Hypnotic. That’s the word. Hypnotic. Piercing blue eyes, a yellow overcoat, a cane, flashing white teeth and a luxurious pair of sideburns.
Polly Moran — Polly’s Back (1929) 🇺🇸
Aren’t Women Funny? (1929) 🇺🇸
This unusual article contends that comediennes are just as funny as comedians, but they aren’t given a chance — or haven’t the courage to sacrifice their good looks.
Julanne Johnston — Spotlight for Julanne (1923) 🇺🇸
Sigrid Holmquist — Melisande of the North (1923) 🇺🇸
Her picturesque experience and colorful personality may entitle Sigrid Holmquist to a film career.
Kathleen Key — The Girl Who Couldn’t Simp (1923) 🇺🇸
After years of futile efforts during which she watched her blond, effervescent friends win prominence on the screen, Kathleen Key who is almost as cynical as she is beautiful, is at last to have her chance in Goldwyn pictures.
Myrtle Stedman and Lincoln Stedman — Stedman & Son, Inc. (1923) 🇺🇸
Both good troupers and the best of friends off the screen, Myrtle Stedman and her son Lincoln are a unique combination in the film world.
Barbara La Marr — When is Barbara Sincere? (1923) 🇺🇸
The conflicting personalities of Barbara La Marr have puzzled many a motion-picture fan. Is she a poseur, or is she, perhaps, just different? Let this writer who knows her well, tell you.
