Vintage Movie Resources
What Kind of a Fellow Is — Collins? (1918) 🇺🇸
Producer Frederick L. Collins actually goes to picture theatres and really sees other producer’s pictures!
What Kind of a Fellow Is — Selznick? (1918) 🇺🇸
You may have been wondering why Lewis J. Selznick didn’t come along earlier in the series
Billy Tummel — Go and Get It (1925) 🇺🇸
Billy Tummel found himself confronted by two difficult problems when Victor Schertzinger began shooting scenes
What Kind of a Fellow Is — Winik? (1918) 🇺🇸
One of Hyman Winik’s craziest principles is to make happy those concerned with him in his business deals
What Kind of a Fellow Is — Laemmle? (1918) 🇺🇸
Carl Laemmle consults his young son — 9 year old Carl Laemmle Jr. — on every picture
Miss Jane Wolfe — Famous Kalem Star (1914) 🇺🇸
If Miss Jane Wolfe was not so successful in her photoplay work, she could easily attain rank as an architect
J. D. Williams (1929) 🇺🇸
J. D. Williams has playes played an important part in the progress and development of the motion picture industry, both in America and Europe
Hugo Riesenfeld — General Musical Director United Artists (1929) 🇺🇸
In 1916 Hugo Riesenfeld first became prominently identified with the motion picture industry in a musical way
What Kind of a Fellow Is — Williams? (1918) 🇺🇸
J. D. Williams is a Showman. That’s his proper classification. As a Showman, he’s an uplooker and an onlooker, and a widelooker
What Kind of a Fellow Is — Freuler? (1918) 🇺🇸
Once we told John R. Freuler a funny story and we expected to get a laugh. To our chagrin he said “Ah, yes!” politely and introduced us to a serious man who wanted to know what we thought of the market for one-reel comedies
What Kind of a Fellow Is — Hammons? (1918) 🇺🇸
So, gentle reader, we introduce herewith a snappy young man who’s always up on his toes: E. W. Hammons of the Educational Film Company of America
What Kind of a Fellow Is — Irwin? (1918) 🇺🇸
Walter W. Irwin is a good lawyer among film men and a good film man among lawyers
