Vintage Movie Resources
Lionel Atwill — The Exquisite Villain (1919) 🇺🇸
Edith Johnson — The Kodak Girl (1920) 🇺🇸
The distinction of being one of the most-photographed and advertised girls in the world belongs to Edith Johnson.
Julian Eltinge, Famous Feminine Impersonator (1917) 🇺🇸
Bubbling Bessie Barriscale (1917) 🇺🇸
There are very few people who have the privilege of really knowing Bessie Barriscale.
Oscar Apfel — From Standard Oil to Stutz (1917) 🇺🇸
Leslie Elton — How Cartoon Comedies Are Made (1916) 🇺🇸
How Leslie Elton carries a comedy company to the studio in his vest pocket and turns out film farces with no other aid than a camera
Agnes Vernon — The Life of a Photoplayer — Three Parts Smile, Two Parts Work, and One Part Rest (1917) | www.vintoz.com 🇺🇸
An Interview with Charlotte Greenwood (1916) 🇺🇸
Lillian Walker — How I Became a Photoplayer (1916) 🇺🇸
My debut in motion pictures was the result of my seeking a way out of a dilemma.
William Farnum — How I Became a Photoplayer (1916) 🇺🇸
I have just completed my seventeenth film production. Allowing three “takes” to each scene, this would make approximately 225,000 feet of celluloid, or nearly forty-five miles, in the two years in which I have been in the photoplay.
Eleanor Blanchard — Motography’s Gallery of Picture Players (1914) 🇺🇸
Eleanor Blanchard is one of the most useful character actresses of the Lubin plant
Louise Huff — Motography’s Gallery of Picture Players (1914) 🇺🇸
When Louise Huff skips into a picture she brings with her a pair of violet eyes, a mass of soft blonde curls and a delicate oval of a face
Joseph Kaufman — Motography’s Gallery of Picture Players (1914) 🇺🇸
Carol Holloway — Motography’s Gallery of Picture Players (1914) 🇺🇸
Carol Holloway adds something more than beauty to Lubin films
Georges Baud — Motography’s Gallery of Picture Players (1914) 🇺🇸
Monsieur Duard — Motography’s Gallery of Picture Players (1914) 🇺🇸
Monsieur Duard has scored many successes in his varied screen career, but looks upon his work in recent Kleine releases as his best
Régina Badet — Motography’s Gallery of Picture Players (1914) 🇺🇸
Charles Angelo — Motography’s Gallery of Picture Players (1914) 🇺🇸
Pauline Frederick — How I Became a Photoplayer (1916) 🇺🇸
Earle Williams — How I Became a Photoplayer (1916) 🇺🇸
Ora Carew — Smiles that Travel Miles (1917) 🇺🇸
Vivian Martin — How I Became a Photoplayer (1916) 🇺🇸
I have been asked by The Photo-Play Journal to write a short story on “How I Became a Photoplayer,” and accordingly will endeavor to present facts which, however, I am afraid will disclose nothing particularly startling.
Bessie Eyton — How I Became a Photoplayer (1916) 🇺🇸
I have been told that my entrance and success in motion pictures were somewhat unusual, for the reason that I had no previous dramatic experience.
Henry B. Walthall — How I Became a Photoplayer (1916) 🇺🇸
In my early days I was literally hampered by dramatic instinct, human sympathy and emotional feeling. At first I overacted, rather, over-felt.
