Vintage Movie Resources
Wheeler Oakman — With the Big Show! (1918) 🇺🇸
Wheeler Oakman is in the all-star cast of the greatest picture ever made
Rhea Mitchell — The Lovely Riddle (1918) 🇺🇸
Jacques A. Berst — The Daddy of Them All (1918) 🇺🇸
“Lights! Camera! Quiet! Ready! Shoot!” (1918) 🇺🇸
H. O. Davis — “Stars or No Stars” — That Is the Question (1918) 🇺🇸
Mr. Davis believes that the public prefers a good story that’s starless, to a star that is storyless
George Beban — And George Did (1918) 🇺🇸
George Beban’s ascent to fame was neither sudden nor easy, and certainly not made more so by Father who had other prospects for George.
Herbert Brenon — The Man (1918) 🇺🇸
Katherine Hilliker — The Motion Picture Alibi (1922) 🇺🇸
No story you have ever read will give you such a clear insight into the resourcefulness necessary for the making of good photoplays. Sometimes the subtitles tell the story
Mae Busch — “She’s a Nut — But I Like Her” (1922) 🇺🇸
The star of Foolish Wives is one of the most individual of them all
Miss DuPont — A Prohibition Beauty (1922) 🇺🇸
Margaret Armstrong, model, now “Miss DuPont.” Birthplace — Kentucky
Lois Meredith — Motography’s Gallery of Picture Players (1914) 🇺🇸
Lois Meredith has proven her aptitude for picture work in a most conclusive manner
Digby Bell — Motography’s Gallery of Picture Players (1914) 🇺🇸
Ethel Barrymore — Motography’s Gallery of Picture Players (1914) 🇺🇸
Probably no actress in America has a greater following or is more generally loved by the American public than Ethel Barrymore
Riley Hatch — Motography’s Gallery of Picture Players (1914) 🇺🇸
Jane Novak — That Chin (1922) 🇺🇸
The story of Jane Novak, who made the world realize that a chin can be expressive
Agnes Egan Cobb — Who’s Who in the Film Game (1913) 🇺🇸
Harry Northrup — Sans Grease Paint and Wig (1913) 🇺🇸
What Becomes of Baby Stars? (1931) 🇺🇸
Earle Foxe — The Menacin’ Man (1928) 🇺🇸
Kathryn McGuire — This Little Star Went to Market (1928) 🇺🇸
Kathryn McGuire set out to be Gloria Swanson and became Mrs. Landy
Mary Alden — A Recamier of the Films (1922) 🇺🇸
Mary Alden is reminiscent of the famous French wit and social genius
Mabel Trunnelle — Sans Grease Paint and Wig (1913) 🇺🇸
It was four o’clock and the One Hundred and Eightieth street entrance to the Bronx park; it should have been three fifty-five and the Two Hundred and Thirty-fifth street exit. That would have given me time to get to the Edison studio and Mabel Trunnelle at exactly four.
Adolph Zukor — Who’s Who in the Film Game (1913) 🇺🇸
Facts and fancies about a man you know or ought to know