Vintage Movie Resources
Mabel Ballin — Blue Book of the Screen (1923) 🇺🇸
Mabel Ballin’s first public appearance was not in a theater, but upon the platform of a Salvation Army hall, where she played upon a tambourine
Agnes Ayres — Blue Book of the Screen (1923) 🇺🇸
>Perhaps the town of Carbondale, Ill., would prove less obscure in the public mind if it were generally known that a scintillating screen star was born there twenty-four years ago.
Claire Adams — Blue Book of the Screen (1923) 🇺🇸
Greater than the fact that she is a capable actress was that of serving her country during the great World War.
Enid Bennett — Blue Book of the Screen (1923) 🇺🇸
Enid Bennett did not meet with success immediately following her arrival in America
Jack Holt — Blue Book of the Screen (1923) 🇺🇸
No act of courage gave Jack Holt his opportunity to go into motion pictures
Stuart Holmes — Blue Book of the Screen (1923) 🇺🇸
The most hated “heavy” on the screen — Stuart Holmes
Enid Markey — Re-discovering an ingénue (1919) 🇺🇸
Charles Lamonte — Movie Director (1933) 🇺🇸
Educational Studios claim one of Hollywood’s most versatile directors: Charles Lamonte.
Helen Mundy — Her Red-Letter Day (1927) 🇺🇸
Helen Mundy asked for a chocolate sundae after school, and got a five-year contract — and with Famous Players, too!
George J. Lewis — Big Brother George (1926) 🇺🇸
Among the new order of juveniles who have risen to prominence in the movies within the past year, George Lewis most suggests the big, sympathetic brother.
Lily Damita — Parlez-vous Français? (1930) 🇺🇸 🇫🇷
New Movie’s humorist interviews Lily Damita in French — with astonishing results
Poverty Row — Wiped Out by Prosperity (1927) 🇺🇸
Poverty Row, that section of Hollywood noted for pictures produced on a shoestring, is becoming so affluent that the old days and practices have become just a memory.
Chester Conklin — The Earl of Guffaw (1927) 🇺🇸
Away from the screen most people do not recognize Chester Conklin.
Lila Leslie — Motography’s Gallery of Picture Players (1914) 🇺🇸
Lila Leslie, of the Lubin stock company at Philadelphia, is a native of Australia.
Arthur Hotaling — Motography’s Gallery of Picture Players (1914) 🇺🇸
Arthur D. Hotaling is an expert in all branches of motion picture manufacture.
Kempton Greene — Motography’s Gallery of Picture Players (1914) 🇺🇸
Kempton Greene’s years of service with the Lubin company number three.
Florence Hackett — Motography’s Gallery of Picture Players (1914) 🇺🇸
Florence Hackett, two and a half years ago, was assigned by the Lubin management to Arthur Johnson’s company.
Yale Boss — The Screen Children’s Gallery (1914) 🇺🇸
Yale Boss receives a large personal mail. It is the kind of mail that follows the screen.
Ordean Stark — The Screen Children’s Gallery (1914) 🇺🇸
A little while ago I walked into a motion picture house to talk with an exhibitor. Involuntarily my eyes wandered in the direction of the screen, and immediately stayed there charmed by the work of a child artist whom I had never seen before either on or off the screen.
David Belasco on Motion Pictures (1914) 🇺🇸
In an exclusive interview with the Moving Picture World the great master of visualization tells of his impressions and expectations
Robert J. Connelly — The Screen Children’s Gallery (1914) 🇺🇸
The interview with Master Robert J. Connelly was robbed of all privacy through the enthusiastic interest displayed in the proceedings by the staff and the bystanders in the offices of the Vitagraph publicity department.
Helen E. Connelly — The Screen Children’s Gallery (1914) 🇺🇸
Miss Helen E. Connelly, aged six, is a most bewitching little lady with soft brown eyes and an air of artistic languor
Edna Hamel — The Screen Children’s Gallery (1914) 🇺🇸
Edna, who still has two years to travel before entering her ‘teens, is, in spite of her tender youth, a theatrical veteran, having begun her artistic career as the “Baby” in Francis Wilson’s popular success, “The Bachelor’s Baby.”
“Andy” Clarke — The Screen Children’s Gallery (1914) 🇺🇸
“Andy”, who made the “Andy” series famous, was called to his first interview straight from the camera and in full costume, the latter consisting of a grandfather’s high hat, a pair of long pants and a black mustache.