Vintage Movie Resources
What Kind of a Fellow Is — Edel? (1918) 🇺🇸
Harold Edel — along with Jesse L. Lasky and Harry Schwalbe, among others — is eligible to our Motion Picture Orchestra
What Kind of a Fellow Is — Selig? (1918) 🇺🇸
William Nicholas Selig is the least photographed film magnate in the business
What Kind of a Fellow Is — Garson? (1918) 🇺🇸
Harry Garson is handling the destinies of the Clara Kimball Young and Blanche Sweet productions
What Kind of a Fellow Is — Lichtman? (1918) 🇺🇸
Al Lichtman has been gathering contracts ever since there was a reel of film to contract for
What Kind of a Fellow Is — Earle? (1918) 🇺🇸
Edward Earle (Executive) is not Edward Earle, the Vitagraph actor
What Kind of a Fellow Is — Friend? (1918) 🇺🇸
“Any business is as big as its lawyer and no bigger”
What Kind of a Fellow Is — Christie? (1918) 🇺🇸
Al Christie might easily be termed a “pioneer” of the film industry, but that word is tabooed in this series
What Kind of a Fellow Is — Sherry? (1918) 🇺🇸
We think that William L. Sherill has something up his sleeve — or concealed behind that neatly trimmed mustache
What Kind of a Fellow Is — Blackton? (1918) 🇺🇸
J. Stuart Blackton has been making pictures almost since there was a picture
Aces of the Camera — Leon Shamroy (1941) 🇺🇸
Leon Shamroy is one of the industry’s outstanding masters of the camera
What Kind of a Fellow Is — Schwalbe? (1918) 🇺🇸
Our respect for Harry Schwalbe was born when we discovered that here was a film man who didn’t always agree with what the other fellow said
What Kind of a Fellow Is — Ince? (1918) 🇺🇸
Thomas H. Ince — aka “Thomas Handsome” — has probably wondered why he hasn’t appeared earlier in this series
What Kind of a Fellow Is — Quirk? (1918) 🇺🇸
James R. Quirk flitters and flutters in the flattering light of publicity
What Kind of a Fellow Is — Cromelin? (1918) 🇺🇸
Our desire for a wider knowledge of Paul H. Cromelin is prompted by two reasons
