Vintage Movie Resources
Madge Evans — Pauvre Enfant ? Merci — Non ! (1918) 🇺🇸
Or, in plain, everyday U. S., Madge Evans is not a pallid chee-ild of the drama.
Lila Lee — Do You Believe in Fairies? (1918) 🇺🇸
The happy romance of Lila Lee indicates their presence around us
Roy Stewart — A Blue-Ribbon Baby (1918) 🇺🇸
Referring, of course, to the Roy Stewart of some years back
May Allison is Back! (1918) 🇺🇸
She cherished primadonna aspirations but the war caused their postponement — and her return to the screen
Marguerite Snow — She Never Worked for Griffith (1918) 🇺🇸
Marguerite Snow never even entered the Biograph Studio
David Warfield — He Refused Five Thousand a Day (1918) 🇺🇸
David Warfield has just refused the greatest salary ever offered to any human being, under any circumstances.
Anita Stewart — Anita’s War Garden (1918) 🇺🇸
Not for the lowly potato or string-bean does she labor, but for a bumper crop of fearless soldiers.
Tsuru Aoki — An American From Tokio (1918) 🇺🇸
Whatever her name may sound like, we pronounce her to be thoroughly charming
Charles T. Dazey — A Dramatist Who Came Back (1918) 🇺🇸
Charles T. Dazey, successful retired playwright, turned to the screen at middle age and found new triumphs.
Hedda Nova — A Refugee from Russia (1918) 🇺🇸
Hedda Nova is the daughter of a revolutionist. And she's hiding — before the camera.
Agnes Christine Johnston — Good-Bye, Hollywood! (1930) 🇺🇸
Why one of Hollywood's most successful writers and most popular girls left motion pictures, told by herself
Barbara Stanwyck — Not a Pattern Girl (1931) 🇺🇸
Barbara Stanwyck was fired from her first job selling patterns, so she's never been a pattern girl since!
Claudia Dell — Ex-Follies Girl! (1930) 🇺🇸
Claudia Dell graduates from Ziegfeld glorification to screen stardom
Douglas MacPhail (Who’s Who at MGM, 1937) 🇺🇸
Biography —His first job was in the chorus of Born to Dance was followed by others, which added fuel to the fire of his ambition.
Bill Powell — As He Is (1929) 🇺🇸
A brilliant resume of the character and career of one of the most adroit and sure-fire stars.
David Rollins — Oh, Davie, Behave! (1929) 🇺🇸
David Rollins, at twenty, hasn't quite found himself and is undecided whether to be whimsical, or aloof and mysterious, but until he does decide he succeeds in being thoroughly engaging and rather touchingly adolescent.
Alice Joyce — She Acts When She Chooses (1929) 🇺🇸
Alice Joyce is the only player who retires for long periods, and finds the public waiting for her when she comes back for an occasional picture.
What's Become of Them? (1929) 🇺🇸
Kenneth Harlan, Charles Ray, Bert Lytell, and Cullen Landis were once cream in the fans' coffee, but why do they enrich the screen no longer? The writer of this article sought them out for an answer and here you have his report of them as they are to-day.
Anita King — All-Around Anita (1916)
Auto or aviation stuff, no one needs to double for Anita King
Phillips Holmes — Bachelor of Hearts (1931) 🇺🇸
Phil Holmes, the most sought-after young man in the movies, explains why a screen contract is the only kind he's signing, thank you!
Johnny Mack Brown — Johnny the Kid (1931)
The nice boy from Alabama walks away with one of the prize roles of the season — "Billy the Kid"
