Vintage Movie Resources
Mabel Ballin — Blue Book of the Screen (1923) 🇺🇸
Mabel Ballin’s first public appearance was not in a theater, but upon the platform of a Salvation Army hall, where she played upon a tambourine
Agnes Ayres — Blue Book of the Screen (1923) 🇺🇸
>Perhaps the town of Carbondale, Ill., would prove less obscure in the public mind if it were generally known that a scintillating screen star was born there twenty-four years ago.
Claire Adams — Blue Book of the Screen (1923) 🇺🇸
Greater than the fact that she is a capable actress was that of serving her country during the great World War.
Enid Bennett — Blue Book of the Screen (1923) 🇺🇸
Jack Holt — Blue Book of the Screen (1923) 🇺🇸
No act of courage gave Jack Holt his opportunity to go into motion pictures
Stuart Holmes — Blue Book of the Screen (1923) 🇺🇸
Enid Markey — Re-discovering an ingénue (1919) 🇺🇸
Charles Lamonte — Movie Director (1933) 🇺🇸
Educational Studios claim one of Hollywood’s most versatile directors: Charles Lamonte
Helen Mundy — Her Red-Letter Day (1927) 🇺🇸
Helen Mundy asked for a chocolate sundae after school, and got a five-year contract — and with Famous Players, too!
George J. Lewis — Big Brother George (1926) 🇺🇸
Among the new order of juveniles who have risen to prominence in the movies within the past year, George Lewis most suggests the big, sympathetic brother.
Lily Damita — Parlez-vous Français? (1930) 🇺🇸 🇫🇷
New Movie’s humorist interviews Lily Damita in French — with astonishing results
Poverty Row — Wiped Out by Prosperity (1927) 🇺🇸
Poverty Row, that section of Hollywood noted for pictures produced on a shoestring, is becoming so affluent that the old days and practices have become just a memory.
Chester Conklin — The Earl of Guffaw (1927) 🇺🇸
Away from the screen most people do not recognize Chester Conklin.
Lila Leslie — Motography’s Gallery of Picture Players (1914) 🇺🇸
Lila Leslie, of the Lubin stock company at Philadelphia, is a native of Australia.
Arthur Hotaling — Motography’s Gallery of Picture Players (1914) 🇺🇸
Arthur D. Hotaling is an expert in all branches of motion picture manufacture.
Kempton Greene — Motography’s Gallery of Picture Players (1914) 🇺🇸
Kempton Greene’s years of service with the Lubin company number three.
Florence Hackett — Motography’s Gallery of Picture Players (1914) 🇺🇸
Florence Hackett, two and a half years ago, was assigned by the Lubin management to Arthur Johnson’s company.
Yale Boss — The Screen Children’s Gallery (1914) 🇺🇸
Yale Boss receives a large personal mail. It is the kind of mail that follows the screen.
Audaine Stark — The Screen Children’s Gallery (1914) 🇺🇸
A little while ago I walked into a motion picture house to talk with an exhibitor. Involuntarily my eyes wandered in the direction of the screen, and immediately stayed there charmed by the work of a child artist whom I had never seen before either on or off the screen.
David Belasco on Motion Pictures (1914) 🇺🇸
In an exclusive interview with the Moving Picture World the great master of visualization tells of his impressions and expectations
Robert J. Connelly — The Screen Children’s Gallery (1914) 🇺🇸
Helen E. Connelly — The Screen Children’s Gallery (1914) 🇺🇸
Miss Helen E. Connelly, aged six, is a most bewitching little lady with soft brown eyes and an air of artistic languor
Edna Hamel — The Screen Children’s Gallery (1914) 🇺🇸
Edna, who still has two years to travel before entering her ‘teens, is, in spite of her tender youth, a theatrical veteran, having begun her artistic career as the “Baby” in Francis Wilson’s popular success, “The Bachelor’s Baby.”
“Andy” Clarke — The Screen Children’s Gallery (1914) 🇺🇸
“Andy”, who made the “Andy” series famous, was called to his first interview straight from the camera and in full costume, the latter consisting of a grandfather’s high hat, a pair of long pants and a black mustache.
