Vintage Movie Resources
Indies Must Depend on Word-of-Mouth Advertising, or Fail, says Nat Levine (1937) 🇺🇸
This is the fourth of a series of articles by our West Coast correspondent, author of “Hollywood Flickers,” on interviews with personalities prominent in production.
George Hirliman Among Hollywood’s Most Prolific and Able Producers (1936) 🇺🇸
This is the second of a series of articles by our West Coast correspondent, author of “Hollywood Flickers,” on interviews with personalities prominent in the production field in Hollywood.
E. B. Derr Headed Three Major Film Companies at One Time (1937) 🇺🇸
This is the third of a series of articles by our West Coast correspondent, author of “Hollywood Flickers,” on interviews with personalities prominent in production.
Casting Most Important Factor in Picture Making, says Zeidman 🇺🇸
B. F. Zeidman, Once Fairbanks’ Press Agent, Recounts Odd Tales (1937) 🇺🇸
This is the ninth of a series of articles by our Hollywood correspondent on interviews with people prominent in production.
More Care with Scripts would Cut Down Production Costs, Faults, says Dave Loew (1937) 🇺🇸
Harry Sherman, ‘Hopalong Cassidy’ Producer, has Abiding Faith in Appeal of Westerns (1937) 🇺🇸
Kid Star Discoveries Sol Lesser’s Specialty (1936) 🇺🇸
Norma Talmadge — My Ammunition Plants (1917) 🇺🇸
As yet I am only a rookie and not a regular farmer or farmerlette, but after my summer of intensive training I will be better equipped to comply with Photo-Play Journal’s request for an article on wartime gardening.
John Emerson in Pictures (1916) 🇺🇸
Packing a Trunk with Violet Mersereau (1916) 🇺🇸
Just what possessed Violet Mersereau’s to invite me to interview her at such an unreasonable hour was more than my fertile mind could fathom.
Francis X. Bushman and Beverly Bayne — All in the Day’s Work (1917) 🇺🇸
Madge Kennedy’s Bow to the Movie Fans (1917) 🇺🇸
She wore shell-rim glasses that imparted a professional air. On her small, well-built head was a Dutch bonnet and her shoes had low heels and square toes. Her dark gray suit fitted well and was unobtrusive. Can this be Madge Kennedy?
Lionel Atwill — The Exquisite Villain (1919) 🇺🇸
Edith Johnson — The Kodak Girl (1920) 🇺🇸
The distinction of being one of the most-photographed and advertised girls in the world belongs to Edith Johnson.
Julian Eltinge, Famous Feminine Impersonator (1917) 🇺🇸
Bubbling Bessie Barriscale (1917) 🇺🇸
There are very few people who have the privilege of really knowing Bessie Barriscale.
Oscar Apfel — From Standard Oil to Stutz (1917) 🇺🇸
Leslie Elton — How Cartoon Comedies Are Made (1916) 🇺🇸
How Leslie Elton carries a comedy company to the studio in his vest pocket and turns out film farces with no other aid than a camera
Agnes Vernon — The Life of a Photoplayer — Three Parts Smile, Two Parts Work, and One Part Rest (1917) | www.vintoz.com 🇺🇸
An Interview with Charlotte Greenwood (1916) 🇺🇸
Lillian Walker — How I Became a Photoplayer (1916) 🇺🇸
My debut in motion pictures was the result of my seeking a way out of a dilemma.
William Farnum — How I Became a Photoplayer (1916) 🇺🇸
I have just completed my seventeenth film production. Allowing three “takes” to each scene, this would make approximately 225,000 feet of celluloid, or nearly forty-five miles, in the two years in which I have been in the photoplay.
Eleanor Blanchard — Motography’s Gallery of Picture Players (1914) 🇺🇸
Eleanor Blanchard is one of the most useful character actresses of the Lubin plant
