Vintage Movie Resources
Billie Dove — As She Is (1930) 🇺🇸
Laura La Plante — As She Is (1930) 🇺🇸
by Margaret Reid
Collection: Picture Play Magazine, September 1930
Joan Crawford — As She Is (1930) 🇺🇸
by Margaret Reid
Collection: Picture Play Magazine, August 1930
Janet Gaynor — As She Is (1930) 🇺🇸
by Margaret Reid
Collection: Picture Play Magazine, July 1930
Gary Cooper — As He Is (1930) 🇺🇸
by Margaret Reid
Collection: Picture Play Magazine, March 1930
Margaret Livingston — Her House in Order (1929) 🇺🇸
Adolphe Menjou — As He Is (1929) 🇺🇸
Nils Asther — As He Is (1929) 🇺🇸
Renée Adorée — As She Is (1929) 🇺🇸
An analysis of Miss Adorée’s character reveals one of the unique personalities of Hollywood.
Greta Garbo — As She Is (1928) 🇺🇸
An exceptional and sympathetic analysis of the Garbo personality, which is no less remarkable and unusual outside the studio than before the camera.
Norma Shearer — As She Is (1929) 🇺🇸
Strictly self-made, Miss Shearer is shown in this study to be now serenely and gracefully enjoying the security of stardom, for which she worked so hard.
Corinne Griffith — As She Is (1928) 🇺🇸
Norma Talmadge — As She Is (1928) 🇺🇸
Much has been written about Norma Talmadge, but never has her real character been revealed as it is in this frank study — the first of a series of insights into the souls of the cinema great.
Ramon Novarro — As He Is (1928) 🇺🇸
Picture Play is proud to offer this brilliant, comprehensive and sympathetic analysis to the admirers of Mr. Novarro.
Vilma Banky — As She Is (1928) 🇺🇸
Anita Garvin, Frances Lee, Estelle Bradley — Beauty Takes the Bumps! (1928) 🇺🇸
The players you laugh at on the screen probably work harder to cause that laugh, than those who are famous for “emoting.” This is an entertaining story of three of the former.
The Strange Case of Conway Tearle (1928) 🇺🇸
Jack Holt — En Famille (1927) 🇺🇸
Evelyn Brent — As She Is (1929) 🇺🇸
Eleanor Boardman — As She Is (1928) 🇺🇸
An intelligent and comprehensive portrait of one of filmdom’s most vibrant but least-known personalities.
Ricardo Cortez — His Face Is His Misfortune (1929) 🇺🇸
Doomed from the first to play sheiks, because he looked like the popular conception of one, Ricardo Cortez thinks that movies are another name for grief.
Jack Mulhall — As He Is (1929) 🇺🇸
If there is such a thing in this polyglot land as a hundred per cent American, Jack Mulhall is it.
Ronald Colman — As He Is (1929) 🇺🇸
Careful consideration of Mr. Colman’s likes and dislikes reveals a character unique in Hollywood.
George O’Brien — As He Is (1929) 🇺🇸
Scrutiny of Mr. O’Brien’s qualities, personal and professional, reveals the exact ratio you would expect if you knew him only by his appearance on the screen.