Vintage Movie Resources
Clara Bow — She’s a Riot! (1926) 🇺🇸
Clara Bow proves to be an exciting little person to meet because of her vivid individuality and haphazard conversation, yet she is taking a tonic to give her more red corpuscles.
Holbrook Blinn — An Actor of Leisure (1926) 🇺🇸
In these days of bustling and stressful studio life, Holbrook Blinn’s calm approach to his work explains his inimitable poise on the screen.
Renée Adorée — A Couple of Vive Las! (1926) 🇺🇸
Gay, impetuous and irresponsible, Renée Adorée’s shimmering moods only thinly veneer her strong emotions, and the heroine of The Big Parade has what is called the heart of a child.
André Beranger — He Takes His Comedy Straight (1927) 🇺🇸
After years and years of “emoting,” Andre Beranger has turned out to be a comedian — a most “polite” comedian, whose secret of being funny is that he doesn’t realize that he is.
Hope Hampton — “The Worldly Hope” (1921) 🇺🇸
Luxurious Miss Hampton presents an interesting study to the interviewer. Her emotions vault from Platinum and Pekingeses to mud pies and slapstick comedy, revealing a capricious and delightful personality.
Marjorie Daw — in Love (1921) 🇺🇸
It is a new role for her, but — as she confessed— she always likes things the first time.
Lois Weber — What Do Men Need? (1921) 🇺🇸
Lois Weber has some very definite views on this subject, with some of which the producers do not agree.
Max Linder — Don’t Change Your Language (1921) 🇺🇸
So our well-known interviewer advises, but though she did that very thing she managed to learn several interesting things about Max Linder.
Pauline Frederick — Adventures in Emotion (1921) 🇺🇸
There is no more skillful emotional screen actress than Pauline Frederick: in this interview she tells how she feels when enacting the tense moments in her plays.
James Rennie — The Master of Spanish Love (1921) 🇺🇸
You know that James Rennie is Dorothy Gish’s husband, but there are other interesting things about him that this story will tell you.
Catherine Calvert — More Genuine Than Usual (1921) 🇺🇸
Catherine Calvert presents the unusual spectacle of a star who off-screen is as romantic as she is on.
Even the Athletes are Lured (1927) 🇺🇸
In this day when absolutely every one is flocking into the movies — society belles, stage stars, royalty and circus performers — even the manly athletes, though much averse to powder puffs and grease paint, have succumbed to the lure of the screen. Witness Gene Tunney, Charley Paddock and “Red” Grange.
Jacqueline Logan — “Jackie” Startles Hollywood (1927) 🇺🇸
The choice of Jacqueline Logan to play Mary Magdalene in “The King of Kings” astonished the film colony, but the complete change in her personality amid scenes of biblical magnificence has caused even greater wonderment.
Josie Sedgwick — All Together Again! (1926) 🇺🇸
Josie Sedgwick, the girl who has had more bones broken than any one else in pictures, tells how to fracture ankles, ribs or shoulders in one lesson.
How Alice Terry Lost Her Smile (1926) 🇺🇸
The secret leaks out while she is telling what she thinks of her husband, Rex Ingram, as a boss — but Rex wasn’t the one who drove her smile away — he was the man who brought it back.
Glorian Swanson — Gloria with Reservations (1921) 🇺🇸
Because she believes that the public should know only her screen personality.
Allan Dwan — The Stung Visitor (1921) 🇺🇸
The famous humorist visits Alan Dwan and gets the real dope on what it means to be a motion-picture actor.
H. B. Warner — Unto the Sixth Generation (1929) 🇺🇸
In many respects H. B. Warner stands alone in Hollywood, one of his claims to distinction being his long line of ancestors who, without a break, have been leaders on the stage.
Constance Howard — A Flapper Who Watches Her Step (1927) 🇺🇸
Though technically a flapper, Constance Howard has the wisdom and poise of a veteran in life’s affairs. She even avoids ice water to safeguard her health for the long career ahead of her.
Vera Voronina — A Ray from Russia (1927) | www.vintoz.com 🇺🇸
Vera Voronina’s gay, vibrant personality is not at all what you’d expect from “darkest Russia,” but that is the land from which that charming young actress has come. This interview was had with her shortly after her arrival, while she was at work on her first American film.
“Shadows” of the Stars (1926) 🇺🇸
These humble persons are even more lowly than “doubles,” but many a girl gets her start in the movies by playing “shadow” to a star — that is, substituting for her on the set during the adjusting of cameras and lights.
Harrison Ford — Guilty of Comedy (1926) 🇺🇸
When Harrison Ford was cornered and accused of having suddenly changed from just an ordinary leading man into a remarkably good comedian, he insisted that he was the innocent victim of circumstances, but finally admitted that he did rather like being funny, for a change.
The Real Ruth Roland (1926) 🇺🇸
Success and wealth can so often change a person, but one who knows Ruth Roland perhaps better than any one else finds in her the same unspoiled girl who came to Hollywood penniless.