Vintage Movie Resources
Corinne Griffith — As She Is (1928) 🇺🇸
Richard Dix — As He Is (1928) 🇺🇸
Norma Talmadge — As She Is (1928) 🇺🇸
Much has been written about Norma Talmadge, but never has her real character been revealed as it is in this frank study — the first of a series of insights into the souls of the cinema great.
Ramon Novarro — As He Is (1928) 🇺🇸
Picture Play is proud to offer this brilliant, comprehensive and sympathetic analysis to the admirers of Mr. Novarro.
Casting Directors — Theirs Is Not a Happy Lot (1928) 🇺🇸
Vilma Banky — As She Is (1928) 🇺🇸
Eddie Quillan — Pride of the Clan (1929) 🇺🇸
Pull Hasn’t Helped Them At All (1928) 🇺🇸
Anita Garvin, Frances Lee, Estelle Bradley — Beauty Takes the Bumps! (1928) 🇺🇸
The players you laugh at on the screen probably work harder to cause that laugh, than those who are famous for “emoting.” This is an entertaining story of three of the former.
William Haines — The Young Man of the Hour (1928) 🇺🇸
The Strange Case of Conway Tearle (1928) 🇺🇸
Feeding Film Folk (1925) 🇬🇧
Larry Semon — Simple Semon (1925) 🇬🇧
Screen Scribes (1925) 🇬🇧
James Kirkwood — Unlucky Jim (1925) 🇬🇧
Thus named because he has had more accidents whilst filming than any other screen star. But it doesn’t apply otherwise, he himself smilingly admits
Lois Wilson — Lois Laughs at Men (1925) 🇬🇧
Her attitude to men is of a “gentle maternal, highly amused variety,” declares Vincent de Sola in this character analysis of Lois Wilson.
Charles (Buck) Jones — The Eternal Cowboy (1925) 🇬🇧
The Eternal Cowboy — Otherwise known as Charles (Buck) Jones
Victor Seastrom — The Sombreness of Seastrom (1925) 🇬🇧
John Francis Dillon — Directors I Have Met (1925) 🇬🇧
The Art of Leatrice Joy (1925) 🇬🇧
Once upon a time, a new and quite original little actress drew towards her, by her work, the most discriminating eyes in the motion picture industry. Needless to say she became a star, but it says much for Leatrice Joy that she did not at the same time, cease being an actress.
The Art of Mary Pickford (1925) 🇬🇧
The Art of Douglas Fairbanks (1925) 🇬🇧
The author of this series has chosen his subjects with great deliberation, taking only those whose work seems to him a permanent and essential contribution to the art of the screen.
