Vintage Movie Resources
William Bakewell — An Interview Enters His Life (1928) 🇺🇸
Paddy O’Flynn — A Stepson of the Movies (1928) 🇺🇸
Ralph Ince — Shopping for Human Beings (1921) 🇺🇸
After diligently searching for exact types for his production, Ralph Ince has decided that a bit of faded silk is not half as hard to match as human characteristics, or mental outlook.
Those Cowless Cowboys (1921) 🇺🇸
Oh, those cowless cowboys of the motion pictures! Those guys that go ‘round all dolled up like a merry-go-round in the cowboy scenery, but who never seem to have any work to do!
Richard Talmadge — Could a Broken Neck Stop Him? Not Much! (1927) 🇺🇸
Frank Hopper — One Chance in Thousands (1927) 🇺🇸
Frank Hopper had been hearing for years that he looked like Theodore Roosevelt, but it took a stranger to see in that resemblance a chance for him to play the great American in “The Rough Riders.”
The Biography of a Film — From Studio to Dead Storage Vault (1922) 🇺🇸
The Japanese Carpet of Bagdad (1922) 🇺🇸
“The Japanese Carpet of Bagdad” is the fourth article in Film play’s series, “Around the WorId with the Movies.”
June Collyer — When They Love Out Loud (1929) 🇺🇸
June Collyer has her own ideas of the voltage power of spoken love scenes versus silent ones and lets us in on some secrets.
Lila Lee — Dogging Lila’s Footsteps (1929) 🇺🇸
George K. Arthur — He’s a Canny Scot (1928) 🇺🇸
Winifred Westover — Her Prayer Was Answered (1929) 🇺🇸
Lupe Velez — Just a Little Madcap (1929) 🇺🇸
An inquiry into one of the more or less overnight sensations of 1929.
Lenore Ulric — That Mystic Urge to Act (1929) 🇺🇸
The Stepchildren Make Whoopee (1929) 🇺🇸
A small group of young, foreign-born devotees of cinema art are keenly happy with their evenings of home cooking and lively talk of the finer things.
Tom Mix — Back Home — and Happy (1929) 🇺🇸
You won’t see Tom Mix in any new pictures for some time, for he has run away from Hollywood and joined the circus he trouped with twenty years ago.
Charles Morton — Laughing It Off (1929) 🇺🇸
That’s what Charles Morton believes in doing when he gets a knock in private or professional life.
Margaret Livingston — Her House in Order (1929) 🇺🇸
Carol Lombard — A Fire-Alarm Siren (1929) 🇺🇸
One stops, looks, and listens when Carol Lombard comes on the scene, for her beauty enjoys the benefit of sound effects.
Adolphe Menjou — As He Is (1929) 🇺🇸
Nils Asther — As He Is (1929) 🇺🇸
Renée Adorée — As She Is (1929) 🇺🇸
Greta Garbo — As She Is (1928) 🇺🇸
An exceptional and sympathetic analysis of the Garbo personality, which is no less remarkable and unusual outside the studio than before the camera.
Norma Shearer — As She Is (1929) 🇺🇸
Strictly self-made, Miss Shearer is shown in this study to be now serenely and gracefully enjoying the security of stardom, for which she worked so hard.
