Vintage Movie Resources
Eddie Quillan — Pride of the Clan (1929) 🇺🇸
Eddie Quillan’s papa took exception to his son’s pie-throwing roles with Mack Sennett lingerie girls, but he soon found a place that comes up to the family standard of humor.
Pull Hasn’t Helped Them At All (1928) 🇺🇸
Being related to a screen celebrity has a good many disadvantages lined up against the advantages. This interesting story explains why most relatives of stars fail in their attempt to share the spotlight.
Anita Garvin, Frances Lee, Estelle Bradley — Beauty Takes the Bumps! (1928) 🇺🇸
The players you laugh at on the screen probably work harder to cause that laugh, than those who are famous for “emoting.” This is an entertaining story of three of the former.
William Haines — The Young Man of the Hour (1928) 🇺🇸
The Strange Case of Conway Tearle (1928) 🇺🇸
“Katsudoshashin” (活動写真) (1929) 🇺🇸
What is it? Well, read this article and find out for yourselves. Here’s a hint — it has to do with Japan, and American movies.
Walter Hiers — They All Turn Him Down (1921) 🇺🇸
Polly Moran — Polly’s Back (1929) 🇺🇸
Aren’t Women Funny? (1929) 🇺🇸
This unusual article contends that comediennes are just as funny as comedians, but they aren’t given a chance — or haven’t the courage to sacrifice their good looks.
Julanne Johnston — Spotlight for Julanne (1923) 🇺🇸
Sigrid Holmquist — Melisande of the North (1923) 🇺🇸
Her picturesque experience and colorful personality may entitle Sigrid Holmquist to a film career.
Kathleen Key — The Girl Who Couldn’t Simp (1923) 🇺🇸
After years of futile efforts during which she watched her blond, effervescent friends win prominence on the screen, Kathleen Key who is almost as cynical as she is beautiful, is at last to have her chance in Goldwyn pictures.
Myrtle Stedman and Lincoln Stedman — Stedman & Son, Inc. (1923) 🇺🇸
Both good troupers and the best of friends off the screen, Myrtle Stedman and her son Lincoln are a unique combination in the film world.
Barbara La Marr — When is Barbara Sincere? (1923) 🇺🇸
The conflicting personalities of Barbara La Marr have puzzled many a motion-picture fan. Is she a poseur, or is she, perhaps, just different? Let this writer who knows her well, tell you.
Alfred Lunt — A Comedian — Not a Hero (1923) 🇺🇸
Alberta Vaughn — Mack Sennett Picks Another (1923) 🇺🇸
To be put under contract by the comedy king is as distinctive in its way as being featured by Griffith or De Mille. Therefore Alberta Vaughn merits your kind attention.
Lenore Ulric — The Blooming of “Tiger Rose” (1923) 🇺🇸
Lenore Ulric revives one of her colorful heroines for the silver screen.
Watch George Hackathorne (1923) 🇺🇸
Seena Owen — A Picture Puzzle (1923)
Maurice Tourneur — Cynic in the Soup (1923) 🇺🇸
Mabel Normand — The Irrepressible One (1923) 🇺🇸
Fans are always clamoring to see more of Mabel Normand, and in that they are quite like her many acquaintances.
Jetta Goudal — Jetta Steps Down But Not Out (1929) 🇺🇸
La Goudal proves anew that she is a law unto herself by relinquishing stardom for lesser roles, with smiling indifference to what Hollywood thinks.
Bryant Washburn — The Road to London (1921) 🇺🇸
Bryant Washburn traveled many miles in order to make a screen play in a real English setting.
Mary Thurman — From a Beacher to a Feature (1921) 🇺🇸
It is only a step from a one-piece bathing suit to evening dress if Nature has been kind.