Vintage Movie Resources
Chester Conklin — The Earl of Guffaw (1927) 🇺🇸
Away from the screen most people do not recognize Chester Conklin.
Mae Busch — Circe of Sunnybrook Farm (1924) 🇺🇸
Instead of following the lines of least resistance, Mae Busch feels that ingénues are her métier of expression.
Lupe Velez — Just a Little Madcap (1929) 🇺🇸
An inquiry into one of the more or less overnight sensations of 1929.
Mary Thurman — From a Beacher to a Feature (1921) 🇺🇸
It is only a step from a one-piece bathing suit to evening dress if Nature has been kind.
Renée Adorée — A Couple of Vive Las! (1926) 🇺🇸
Gay, impetuous and irresponsible, Renée Adorée’s shimmering moods only thinly veneer her strong emotions, and the heroine of The Big Parade has what is called the heart of a child.
Harry Langdon — Well, Sir, He’s a Scream (1927) 🇺🇸
Harry Langdon, a comparatively recent entrant in the ranks of the snicker snarers, receives his just due in this critical analysis of his technique.
Mae Murray — The Temperamental Blonde (1921) 🇺🇸
“No ingénue stuff for me,” says the fair but stormy Mae Murray.
Hobart Bosworth — A Man Who Refused to Die (1921) 🇺🇸
In spite of the dictates of doctors, Hobart Bosworth wouldn’t let an incurable ailment keep him from rising to stardom.
House Peters — Straight from the Shoulder (1921) 🇺🇸
House Peters says his say without any hemming or hawing, and what he says is well worth while.
Kathleen Key — Little Sister to Lucrezia Borgia (1928) 🇺🇸
Kathleen Key, the first Movietone player to visit New York, shares a new addition to her public, and tells about talking pictures.
Carole Lombard — Another Three Cheers! (1930) 🇺🇸
Our Manhattan explorer discovers Carol Lombard, another beauty who is on her way up, equipped fully with all that it takes.
Phyllis Haver — A Photoproof Pippin (1928) 🇺🇸
Phyllis Haver sums herself up as “shanty Irish, born O’Hara, and hoping to get along,” but you will find there is more, much more, to be said of her, if you have not already said it yourself.
Estelle Taylor — The Delaware Delilah (1930) 🇺🇸
She is Estelle Taylor, whose seductiveness sends the interviewer's senses reeling back to biblical history.
Dorothy Mackaill — Following the Blue Print (1927) 🇺🇸
Dorothy Mackaill planned her career with care, and she is following it according to specifications, even though her sudden marriage surprised her almost as much as it did the world at large. | Irene Rich uses Maybelline
Jane Winton — Hardly The Same Girl! (1930) 🇺🇸
Jane Winton has grown up into a new person since Picture Play's first interview with a slip of a "Follies" girl just learning her way about the studio.
Ford Sterling — Shifting from Low to High (1926) 🇺🇸
Once a lowly bladder-bouncer of the Keystones, Ford Sterling is now doing high comedy, or at least what passes for high comedy in the cinema.
Charles Laughton — Gentle Titan (1940) 🇺🇸
When Charles Laughton, mighty man of movie drama, talks out of turn, the result is a salty interview packed with dynamite, like this!
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