Vintage Movie Resources
Madge Bellamy — Beautiful, But — Herself (1928) 🇺🇸
And being herself is only one of Madge Bellamy’s claims to keen individuality.
William Bakewell — An Interview Enters His Life (1928) 🇺🇸
You will like William Bakewell all the more for being bowled over by the visit of his first reportorial caller.
George K. Arthur — He’s a Canny Scot (1928) 🇺🇸
In spite of the fact that George K. Arthur was a well-known actor in England, he had to start all over again in Hollywood.
Lenore Ulric — That Mystic Urge to Act (1929) 🇺🇸
Almost every one feels it, either as a call to the stage, or as a worshiper of a player, according to Lenore Ulric, who gives Picture Play readers a rather surprising explanation of the dramatic instinct.
Charles Morton — Laughing It Off (1929) 🇺🇸
That’s what Charles Morton believes in doing when he gets a knock in private or professional life.
Jetta Goudal — Jetta Steps Down But Not Out (1929) 🇺🇸
La Goudal proves anew that she is a law unto herself by relinquishing stardom for lesser roles, with smiling indifference to what Hollywood thinks.
Harrison Ford — Guilty of Comedy (1926) 🇺🇸
When Harrison Ford was cornered and accused of having suddenly changed from just an ordinary leading man into a remarkably good comedian, he insisted that he was the innocent victim of circumstances, but finally admitted that he did rather like being funny, for a change.
John Bowers — What a Man Should Not Wear (1927) 🇺🇸
John Bowers, one of the most correctly dressed men in Hollywood, tells exactly what a man should and should not wear on certain occasions, and points out many mistakes in dress made by men who may think they are being very fashionable.
Gilbert Roland — Norma Talmadge’s New Leading Man (1927) 🇺🇸
But instead of being wildly excited over his big role in Norma’s “Camille,” young Gilbert Roland was much more interested in showing “Picture-Play’s” interviewer how to fight bulls.
Charles Farrell — Carefree Charlie (1929) 🇺🇸
Charles Farrell has not lost himself in the clouds with his rise to stardom, and he has not even acquired a complex.
Conrad Veidt — A Welcome Invader from Germany (1927) 🇺🇸
Hollywood not only makes possible the importation of one of Europe’s most accomplished actors, but unites a trio of famous friends.
Mary Astor — Gone Are Her Languors (1929) 🇺🇸
A fainting heroine no longer, Mary Astor blazes forth in spangles and tights. — with a wry smile at her screen "past."
Gilbert Roland — After Success — What? (1928) 🇺🇸
Following his success in “Camille,” Gilbert Roland faced many problems he had never known before. This story explains how he has kept his balance in a situation where others have failed.
Yola d’Avril — In The Springtime (1930) 🇺🇸
A young man's fancy can easily turn to Yola d’Avril, in April or in August, and besides, her budding career is well worth considering.
James Hall — You Never Can Tell (1927) 🇺🇸
James Hall's quick rise on the screen should be a lesson to those who told him he didn't register, and that he wasn't a typical American.
Tallulah Bankhead — A Lady for Legends (1932) 🇺🇸
"Acting is quite natural with me. I have never even studied it, or taken a lesson in my life. I just act."
John Arledge - Up Pops Arledge (1932) 🇺🇸
Johnny Arledge, who strode into favor on "Daddy Long Legs," is the cause of all those ah's and oh's.
Victor Varconi — A Man Who Kept His Head (1926) 🇺🇸
Victor Varconi did not run away to go onto the stage, nor has he at any critical point in his career allowed himself to be carried away by emotion. He has won success by reasoning things out.
Mae Clarke — Thirty-five Minutes To Go (1930) 🇺🇸
In the short space of time granted an interviewer Mae Clarke upsets a few traditions, springs some surprises and relates the story of her life.
Fifi Dorsay — Fifi's Magic Touch (1930) 🇺🇸
Fifi Dorsay's wordless language makes you want to throw away your French dictionary, for the whole world is akin when she sings and rolls her eyes
Showing
all
20 results