Dorothy Janis — Minnehaha Diminuendo (1930) 🇺🇸
The only Indian flapper in the movies is one of the tiniest of actresses — Dorothy Janis — but she makes up for her lack of inches in pep and determination.
Nils Asther — As He Is (1929) 🇺🇸
Greta Garbo — As She Is (1928) 🇺🇸
An exceptional and sympathetic analysis of the Garbo personality, which is no less remarkable and unusual outside the studio than before the camera.
Norma Shearer — As She Is (1929) 🇺🇸
Strictly self-made, Miss Shearer is shown in this study to be now serenely and gracefully enjoying the security of stardom, for which she worked so hard.
William Haines — The Young Man of the Hour (1928) 🇺🇸
Polly Moran — Polly’s Back (1929) 🇺🇸
Conrad Nagel — Too Good to Be Romantic (1928) 🇺🇸
Eleanor Boardman — As She Is (1928) 🇺🇸
An intelligent and comprehensive portrait of one of filmdom’s most vibrant but least-known personalities.
Josephine Dunn — Dunn Days Are Rosy Now (1929) 🇺🇸
Josephine Dunn’s bright beginning in the movies didn’t prevent her from going through a period of bad luck that would have broken a less valiant spirit than hers. But now — well, she’s rising and rising.
Charles Bickford — The Big Goat-Getter from Boston (1930) 🇺🇸
Tim McCoy — Born to the West — and East, Too (1927) 🇺🇸
Leila Hyams — Up from a Trunk (1930) 🇺🇸
Norma Shearer — Portrait Photograph (1930)
Photo by: Ruth Harriet Louise (1903–1940)