Vintage Movie Resources
Madge Bellamy — Beautiful, But — Herself (1928) 🇺🇸
And being herself is only one of Madge Bellamy’s claims to keen individuality.
Doris Kenyon — A Woman Apart (1925) 🇬🇧
A baffling, intriguing creature, with those flying eyes that do so much heart damage. Doris Kenyon is a princess in a fairy tale, a proud princess with a frozen heart.
Winifred Westover — Her Prayer Was Answered (1929) 🇺🇸
Though ten years absent from the screen, Winifred Westover wanted to play in Lummox more than anything in the world, so she prayed to be shown the way and her faith was rewarded.
The Stepchildren Make Whoopee (1929) 🇺🇸
A small group of young, foreign-born devotees of cinema art are keenly happy with their evenings of home cooking and lively talk of the finer things.
Pull Hasn’t Helped Them At All (1928) 🇺🇸
Being related to a screen celebrity has a good many disadvantages lined up against the advantages. This interesting story explains why most relatives of stars fail in their attempt to share the spotlight.
Evelyn Brent — As She Is (1929) 🇺🇸
This notable analysis of Miss Brent reveals the many-sided character of a distinguished artist and one of Hollywood’s most inconspicuous personalities.
Alice Joyce — She Acts When She Chooses (1929) 🇺🇸
Alice Joyce is the only player who retires for long periods, and finds the public waiting for her when she comes back for an occasional picture.
Constance Talmadge Tells Her Untold Tale (1928) 🇺🇸
Confessions of the Stars — The second of a series of real life stories. Constance Talmadge reveals the untold truth about what she has been what she is, and what she wants to be.
Lois Wilson Tells Her Untold Tale (1929) 🇺🇸
Confessions of the Stars — The seventh of a series of real life stories.
Louise Dresser — The Mothering Heart (1930) 🇺🇸
After thirty-two years on the stage and screen, Louise Dresser looks forward to doing her best work when she is past fifty as a substitute for her real soul's yearning — which is for a child.
Laura La Plante — Without Benefit of Fireworks (1930) 🇺🇸
Seven years a star, Laura La Plante has never been extravagantly praised or severely criticized, her steady emotional balance giving her a security impossible to the skyrockets of the screen.
Bill Boyd — As He Is (1930) 🇺🇸
The story of William Boyd's life reads like that of a fame-and-fortune hero of the old school, which may explain his extreme modesty to-day.
Roland Young — Always Plays Absurdly Brief Roles (1932) 🇺🇸
Quizzical humor, an insinuating voice, and rare intelligence — these are his extraordinary gifts.
Otto Kruger — Mark The Perfect Man! (1935) 🇺🇸
He is Otto Kruger whose wife can’t find a fault in him after eight years, whose daughter adores him, whose servants lower their voices when they speak of the master, and whose critics have yet to find a flaw in his performances.
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