Vintage Movie Resources
How They Do It — Selecting the Plays (1925) 🇬🇧
How They Do It — The Scenario Writer (1925) 🇬🇧
Owen Nares — Owen Dares (1919) 🇬🇧
Owen Dares — Be an actor as well as look a Matinee Idol.
Doris Kenyon — A Woman Apart (1925) 🇬🇧
A baffling, intriguing creature, with those flying eyes that do so much heart damage. Doris Kenyon is a princess in a fairy tale, a proud princess with a frozen heart.
Feeding Film Folk (1925) 🇬🇧
Larry Semon — Simple Semon (1925) 🇬🇧
Screen Scribes (1925) 🇬🇧
James Kirkwood — Unlucky Jim (1925) 🇬🇧
Thus named because he has had more accidents whilst filming than any other screen star. But it doesn’t apply otherwise, he himself smilingly admits
Lois Wilson — Lois Laughs at Men (1925) 🇬🇧
Her attitude to men is of a “gentle maternal, highly amused variety,” declares Vincent de Sola in this character analysis of Lois Wilson.
Charles (Buck) Jones — The Eternal Cowboy (1925) 🇬🇧
The Eternal Cowboy — Otherwise known as Charles (Buck) Jones
Victor Seastrom — The Sombreness of Seastrom (1925) 🇬🇧
Ben Lyon — Footlight or Shadows (1925) 🇬🇧
A newcomer to the movies who prefers the screen to the stage.
John Francis Dillon — Directors I Have Met (1925) 🇬🇧
The Art of Leatrice Joy (1925) 🇬🇧
Once upon a time, a new and quite original little actress drew towards her, by her work, the most discriminating eyes in the motion picture industry. Needless to say she became a star, but it says much for Leatrice Joy that she did not at the same time, cease being an actress.
The Art of Mary Pickford (1925) 🇬🇧
The Art of Douglas Fairbanks (1925) 🇬🇧
The author of this series has chosen his subjects with great deliberation, taking only those whose work seems to him a permanent and essential contribution to the art of the screen.
The Art of Charles Chaplin (1925) 🇬🇧
The Art of Ian Keith (1925) 🇬🇧
Ian Keith has discovered the kinema; when will the kinema discover Ian Keith?
The Art of Bernhard Goetzke (1925) 🇬🇧
Mysterious eyes, holding you, an immobile face, above a sculpturally immobile figure, striking you with an amazing sense of power restrained. The art of Bernhard Goetzke lies not in what he does, but in what he is powerful enough not to do.
Felix the Cat — Me and Pat Sullivan (1925) 🇬🇧
“I guess I was just tickled to death when Picturegoer asked me to write this article.”
Still Photographers — Magic in a Magic City (1925) 🇬🇧
Photographers play a large part in the lives of the movie stars. An artistic photograph is often responsible for the finding and making of a new film player.
Betty Blythe — A Bit About Betty (1925) 🇬🇧
Alma Reville — Alma in Wonderland (1925) 🇬🇧
An interesting article, proving that a woman’s place is not always in the home.
