Vintage Movie Resources
Jack Pierce — Speeding Father Time (1937) 🇺🇸
Jack Pierce, make-up artist for Universal Studios, can age a character twenty years in three hours by the use of expertly-applied make-up.
Paul Widlicska — The Studio Magician (1937) 🇺🇸
Paul Widlicska creates rain, snow, hail and fog at a moment’s notice.
An Interview with Paul Muni and Luise Rainer (1937) 🇺🇸
On the set of The Good Earth with Paul Muni and Luise Rainer and director Sidney Franklin.
Richard Boleslawski — The Way of a Lancer in Pictures (1937) 🇺🇸
Director Richard Boleslawski on the set of the Technicolor production “The Garden of Allah”.
Norman Taurog — He Was a Kid Himself! (1932) 🇺🇸
And he hasn’t forgotten it. That’s why Norman Taurog has achieved such wonders in directing child actors.
The Headline Career of Jean Harlow 1927-1932 (1932) 🇺🇸
Read the life story of Jean Harlow, as told in the headlines and see if you are not amazed that so much could have happened to one girl in such a short span of years.
Charlie Ruggles — He was “Ruggles of Red-Eye” (1931) 🇺🇸
Does the screen public want its favorites to be versatile? Charlie Ruggles is going to find out. For the past two years he has played nothing but “drunk” roles. Now, in his first starring picture, “Girl Habit,” he doesn’t take a single drink.
Otto Kruger — Mark The Perfect Man! (1935) 🇺🇸
He is Otto Kruger whose wife can’t find a fault in him after eight years, whose daughter adores him, whose servants lower their voices when they speak of the master, and whose critics have yet to find a flaw in his performances.
Edward Arnold — “Darling, How Does it Feel To Be Great?” (1935) 🇺🇸
That is what generous Joan Crawford asked Edward Arnold after he had stolen honors from her in “Sadie McKee.”
Gilbert Adrian — Gowns by Adrian (1935) 🇺🇸
Under the guidance of Adrian, such stars as Greta Garbo, Joan Crawford and Norma Shearer, have emerged as definite personalities.
C. Henry Gordon — As Nice As They Come (1935) 🇺🇸
C. Henry Gordon, the sinister villain in 1930's movies who hopelessly dreamed to play in light comedy movies.
Warren William — Just to Oblige (1935) 🇺🇸
The furthest thought from Warren William was one day to be an actor. But because he so thoroughly looked the part, his friends and family urged him to try the stage, and it was only because of their insistence that he enrolled at a dramatic school.
Wesley Ruggles — His Third Time On Top (1934) 🇺🇸
Director, Keystone Cop, Comedian — Wesley Ruggles explains survival in Hollywood.
Jean Harlow — Vintage Advertisements
Jean Harlow — Vintage Advertisements for Coca Cola, Kleenex, Lucky Strike
Frank Morgan — House of Morgan (1936) 🇺🇸
Frank Morgan insists he wouldn’t be where he is today if it weren’t for his wife, Alma. And I insist Alma Morgan wouldn’t be where she is today if it weren’t for Frank. Actually we’re both right. And that’s my story.
Wallace Beery — My Life Until Now — Part 3 (1934) 🇺🇸
This is the final instalment of the first authorized true life story from the man who has been the hero of a remarkable career in motion picture.
Wallace Beery — My Life Until Now — Part 1 (1934) 🇺🇸
“I’ve been so poor that I couldn’t buy half-soles for my worn-out shoes — and I’ve had nearly a million dollars salted away.” In this unusual life story Wallace Beery tells you the intimate facts of the ups and downs that he has known.
Wallace Beery — My Life Until Now — Part 2 (1934) 🇺🇸
The first authorized true life story from the man who has been the hero of one of the most remarkable careers in the films.
Barbara Stanwyck in “The Bitter Tea of General Yen” (1932) 🇺🇸
Barbara Stanwyck has a will of her own and believes that marriage and career can be made to mix.
Nils Asther in “The Bitter Tea of General Yen” (1932) 🇺🇸
Nils Asther was laid low by a Swedish accent when talkies came in
Paul Muni — Great Actor — Great Hermit (1936) 🇺🇸
There’s a reason why Paul Muni takes you out of yourself with his acting. He lives as no other actor in Hollywood lives. This great story tells you how — and why.
This is Katharine Hepburn (1936) 🇺🇸
Here is a new and unusual slant on an unusual person — Katharine Hepburn. This is an interview with Muriel King, her latest designer.
Charles Boyer — Master of Charm (1936) 🇺🇸
Women succumb to his charm, his powerful personality without being able to help themselves.