Vintage Movie Resources
Loretta Young, Polly Ann Young, Sally Blane — Three Young Gals (1928) 🇺🇸
Loretta, Polly Ann Young, and Sally Blane are the most unalike sisters you could expect to find, yet all three are becoming well known to the fans.
Kathleen Key — Little Sister to Lucrezia Borgia (1928) 🇺🇸
Kathleen Key, the first Movietone player to visit New York, shares a new addition to her public, and tells about talking pictures.
John George — Give This Fellow a Hand (1928) 🇺🇸
Tufei Fatella, who is “John George” to the fans, has won a distinctive place on the screen, despite handicaps which would have destroyed a less valiant spirit.
Cornelius Keefe — A Modest Chap (1929) 🇺🇸
Cornelius Keefe disdains the usual interviews and puffs, but here is a story that tells what kind of young man he is.
Evelyn Brent — As She Is (1929) 🇺🇸
Fay Wray — Aloof and Friendly (1928) 🇺🇸
Eleanor Boardman — As She Is (1928) 🇺🇸
An intelligent and comprehensive portrait of one of filmdom’s most vibrant but least-known personalities.
Charles Farrell — Carefree Charlie (1929) 🇺🇸
Jean Hersholt — How “Dutch” Became Mr. Hersholt (1927) 🇺🇸
Conrad Veidt — A Welcome Invader from Germany (1927) 🇺🇸
If I Were a Man… (1927) 🇺🇸
Some of the girls of Hollywood tell what they would not do if they belonged to the opposite sex.
If I Were a Woman… (1927) 🇺🇸
And some of the men name the things that they would not do if they were women.
William K. Howard — You Can’t Keep a Good Man Down (1927) 🇺🇸
When William K. Howard, commonly known as Bill, came back from the war and found his job gone, he saw red at first — then he decided to show ‘em! Which he has — with a megaphone. If you saw “Gigolo,” you know it.
Carroll Nye — Unswept and Unsung (1929) 🇺🇸
Bodil Rosing — Ga-Ga Bodil (1929) 🇺🇸
Bodil Rosing’s granddaughter gave her a nickname that made Hollywood love the brilliant actress all the more.
Eternal Love
Max Factor — A Wizard of Make-up (1929) 🇺🇸
Max Factor is consulted by all the stars, and has developed a new personality for some of them through expert make-up. In this article he discusses his work and tells how to enhance one’s best features.
Ricardo Cortez — His Face Is His Misfortune (1929) 🇺🇸
Doomed from the first to play sheiks, because he looked like the popular conception of one, Ricardo Cortez thinks that movies are another name for grief.
Josephine Dunn — Dunn Days Are Rosy Now (1929) 🇺🇸
Josephine Dunn’s bright beginning in the movies didn’t prevent her from going through a period of bad luck that would have broken a less valiant spirit than hers. But now — well, she’s rising and rising.
Butlers in Movies — “Very Well, Sir” (1929) 🇺🇸
Thelma Todd — An Eye Full (1929) 🇺🇸
Nils Asther — A Fish Out of Water (1929) 🇺🇸
Jack Mulhall — As He Is (1929) 🇺🇸
If there is such a thing in this polyglot land as a hundred per cent American, Jack Mulhall is it.
Ronald Colman — As He Is (1929) 🇺🇸
Careful consideration of Mr. Colman’s likes and dislikes reveals a character unique in Hollywood.
George O’Brien — As He Is (1929) 🇺🇸
Scrutiny of Mr. O’Brien’s qualities, personal and professional, reveals the exact ratio you would expect if you knew him only by his appearance on the screen.