Vintage Movie Resources
Whitman Bennett — Advice to Would-Be Stars (1921) 🇺🇸
A would-be director should not be afraid to unfurl his sail and visit the various ports of human experience
Marie Morehouse — Fame at 16 Months (1921) 🇺🇸
According to Marie Morehouse, the way to keep young is to have plenty of naps and drink lots of milk
Wallace Reid — The Mash Note King (1921) 🇺🇸
Millions of young girls see Wallace Reid each week in pictures
Roscoe “Fatty” Arbuckle — The Beauty of Being Homely (1921) 🇺🇸
As long as a man’s weight stays below 400 pounds, a chap, such as Roscoe Arbuckle, can be looked upon as a broth of a boy, who will grow up to be a help to his folks
Conrad Nagel — My Most Thrilling Experience in the Movies (1921) 🇺🇸
The crocodiles had been several days without food and were not pleasant playmates for Conrad Nagel
Lucien Littlefield — What’s Behind the Grease Paint (1921) 🇺🇸
Life for Lucien Littlefield is just one application of grease paint after another
Stephen S. Norton — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Stephen S. Norton began his useful career as a cinematographer in New York City
J. R. Lockwood — Little Close-Ups of the A. S. C. (1922) 🇺🇸
When Mack Sennett gave J. R. Lockwood his chance, he was already master of fundamentals and it was not long until he was given a camera on Sennett’s best productions
Charles Edgar Schoenbaum — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Charles Edgar Schoenbaum started to learn the camera game as an assistant — a good place to start if a boy has the discretion to keep his mouth shut, his ears and eyes open and his mind alert
Marcel Le Picard — Little Close-Ups of the A. S. C. (1922) 🇺🇸
It was in 1904 that Marcel Le Picard started out to shoot everything that came his way for Pathé Frères
Reginald Lyons — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Having started in the days when one, two and three reelers were the staple films, Reginald Lyons has hundreds of pictures to his credit
Arthur Edeson — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Arthur Edeson is the Beau Brummell of the A. S. C.
Walter L. Griffin — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Walter L. Griffin did his kindergarten work with Universal
William Beckway — Little Close-Ups of the A. S. C. (1922) 🇺🇸
William Beckway became interested in things cinematographic when he was still in rompers, but he didn’t get into the game with a camera until about 1910
Chester A. Lyons — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Chester A. Lyons has practically never been idle since he first began to crank second camera
Henry Cronjager — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Henry Cronjager turned to photography as early as 1893 and that was in the days “When You and I Were Young, Maggie”
H. Lyman Broening — Little Close-Ups of the A. S. C. (1922) 🇺🇸
H. Lyman Broening has shot so many celebrities that a review of his pictures carries one through an art gallery of film history
Walter Lundin — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Walter Lundin will tell you that while it means a steady job to hitch your camera to such a star as Harold Lloyd, it also means a life of strenuousity and hardship
Hans F. Koenekamp — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Larry Semon is a world headliner at the laughsmith game, but if you’ll ask him how much Hans F. Koenekamp helps him you’ll be surprised
Roy H. Klaffki — Little Close-Ups of the A. S. C. (1922) 🇺🇸
The director of photography at Metro, Roy H. Klaffki, is the official goat of the studio
John F. Seitz — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Compared to John F. Seitz, oysters are orators and starfish are noisy roisterers
Fred LeRoy Granville — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Fred Leroy Granville is a bloody Britisher by birth
Harry W. Gerstad — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Harry W. Gerstad demonstrated in various movies how to shoot according to his own ideas, and not the director’s