Vintage Movie Resources
Allan Dwan — Scenario Writing from the Director’s Viewpoint (1918) 🇺🇸
Practical information based on the actual experience in the studios of one who produces successes, written by Allan Dwan
Henry B. Walthall — Once of Alabama (1918) 🇺🇸
His father wanted him to become a farmer, and his mother hoped he would follow the law. But he became an actor because that was the one career that interested him.
Gregory la Cava — Stars Shot from Ink Pots (1918) 🇺🇸
The director of the Black and White Comedies talks about his troubles.
Louise Huff — When Louise Was a Kiddie (1918) 🇺🇸
Of course we all know that Southern girls are either born flirts or acquire the art at a tender age.
Edna Purviance — Little Miss Happiness (1918) 🇺🇸
That is why Edna Purviance is such an able assistant to Charlie Chaplin
Monroe Salisbury — An Actor and His Indian Friends (1918) 🇺🇸
It is not generally known that Monroe Salisbury, whose performance as Alessandro in the classic, Ramona, is acknowledged one of the greatest characterizations the screen has shown, is a student of Indian customs and lore, as well as a rancher in his own right.
Madge Evans — Pauvre Enfant ? Merci — Non ! (1918) 🇺🇸
Or, in plain, everyday U. S., Madge Evans is not a pallid chee-ild of the drama.
Lila Lee — Do You Believe in Fairies? (1918) 🇺🇸
The happy romance of Lila Lee indicates their presence around us
Roy Stewart — A Blue-Ribbon Baby (1918) 🇺🇸
Referring, of course, to the Roy Stewart of some years back
May Allison is Back! (1918) 🇺🇸
She cherished primadonna aspirations but the war caused their postponement — and her return to the screen
Marguerite Snow — She Never Worked for Griffith (1918) 🇺🇸
Marguerite Snow never even entered the Biograph Studio
David Warfield — He Refused Five Thousand a Day (1918) 🇺🇸
David Warfield has just refused the greatest salary ever offered to any human being, under any circumstances.
Anita Stewart — Anita’s War Garden (1918) 🇺🇸
Not for the lowly potato or string-bean does she labor, but for a bumper crop of fearless soldiers.
Tsuru Aoki — An American From Tokio (1918) 🇺🇸
Whatever her name may sound like, we pronounce her to be thoroughly charming
Charles T. Dazey — A Dramatist Who Came Back (1918) 🇺🇸
Charles T. Dazey, successful retired playwright, turned to the screen at middle age and found new triumphs.
Hedda Nova — A Refugee from Russia (1918) 🇺🇸
Hedda Nova is the daughter of a revolutionist. And she's hiding — before the camera.
Marguerite Clark's Own Story (1918) 🇺🇸
Tiny star, who peers from the cover, talks on her experiences.
Lady Tsen Mei, of China (1918) 🇺🇸
A new film star from Canton, who claims rank with our more important emotional screen actresses.
Al Jennings — The Man Who Came Back (1918) 🇺🇸
His name is Al Jennings, and the famous story of his struggles against society, as a train and bank robber, is now to be told on the screen.
Lady Tsen Mei — A Chinese Doll (1919) 🇺🇸
A largely fictionalized account of the early years and career of actress and vaudeville artist Lady Tsen Mei.