Vintage Movie Resources
What Kind of a Fellow Is — Winik? (1918) 🇺🇸
One of Hyman Winik’s craziest principles is to make happy those concerned with him in his business deals
What Kind of a Fellow Is — Laemmle? (1918) 🇺🇸
Carl Laemmle consults his young son — 9 year old Carl Laemmle Jr. — on every picture
What Kind of a Fellow Is — Williams? (1918) 🇺🇸
J. D. Williams is a Showman. That’s his proper classification. As a Showman, he’s an uplooker and an onlooker, and a widelooker
What Kind of a Fellow Is — Freuler? (1918) 🇺🇸
Once we told John R. Freuler a funny story and we expected to get a laugh. To our chagrin he said “Ah, yes!” politely and introduced us to a serious man who wanted to know what we thought of the market for one-reel comedies
What Kind of a Fellow Is — Hammons? (1918) 🇺🇸
So, gentle reader, we introduce herewith a snappy young man who’s always up on his toes: E. W. Hammons of the Educational Film Company of America
What Kind of a Fellow Is — Irwin? (1918) 🇺🇸
Walter W. Irwin is a good lawyer among film men and a good film man among lawyers
What Kind of a Fellow Is — Sherrill? (1918) 🇺🇸
“I don’t know the technical side of picture-making,” said William L. Sherrill, “but I do know fine pictures and I make them”
What Kind of a Fellow Is — Rothapfel? (1918) 🇺🇸
S. L. Rothafel intuitively knows his audience — any kind of audience
What Kind of a Fellow Is — Smith? (1918) 🇺🇸
We don’t understand what brought Albert E. Smith into the motion picture business
What Kind of a Fellow Is — Kessel? (1918) 🇺🇸
Adam Kessel Jr. and Charles Bauman have always been plungers
Sidney Drew — Film Humor More Than Making Funny Faces (1918) 🇺🇸
The human note, not monkey-shines, makes the strongest, most lasting appeal
Elsie Ferguson — Advantages of the Screen Over the Stage (1918) 🇺🇸
A comparison and a prophecy with some comments by the way
Edna Goodrich — The Importance of Being Well-Dressed (1918) 🇺🇸
Some reasons why correct costuming is an aid to art
Shirley Mason — The Evolution of a Star (1918) 🇺🇸
How one ambitious little girl was made over for the movies
Film Editors — Putting It Together (1918) 🇺🇸
Photoplays are often made or ruined in the cutting room.
Mary Warren — Stifling the Tears (1918) 🇺🇸
Mary Warren bit her upper lip instead of the lower — and that’s the sort of actress she is
Hugh Thompson — The Lady? No, the Car! (1918) 🇺🇸
Hugh Thompson would rather talk autos than pictures
Robert Harron — Griffith’s Boy — Bobby (1918) 🇺🇸
Harron, the Screen’s Premier Juvenile. “The Boy” in “The Birth of a Nation” and “Intolerance.”
Wheeler Oakman — With the Big Show! (1918) 🇺🇸
Wheeler Oakman is in the all-star cast of the greatest picture ever made
Rhea Mitchell — The Lovely Riddle (1918) 🇺🇸
Miss Mitchell — but everybody calls her “Ginger” — says no more black and blue drama for her
Jacques A. Berst — The Daddy of Them All (1918) 🇺🇸
Twenty-two years ago he was in the same business — selling moving pictures