Vintage Movie Resources
Clara Kimball Young — Sans Grease Paint and Wig (1914) 🇺🇸
“It will give me big opportunities,” said Clara Kimball Young, as she sat back in the big office chair near the window, that belonged to the desk near the door.
Beverly Bayne — Sans Grease Paint and Wig (1912) 🇺🇸
“Let’s sit over here on the sofa and put the candy between us and then we can chat all we want”
Norma Marie Talmadge — Motography’s Gallery of Picture Players (1914) 🇺🇸
Norma Talmadge has yet to make her first failure
James W. Morrison — Motography’s Gallery of Picture Players (1914) 🇺🇸
James Morrison’s success in Vitagraph pictures was instantaneous
Earle Williams — Motography’s Gallery of Picture Players (1914) 🇺🇸
The enforced idleness between theatrical seasons proved irksome to Earle Williams and he applied to the Vitagraph Company for extra parts
Edith Storey — Motography’s Gallery of Picture Players (1914) 🇺🇸
Edith Storey has an exceptionally strong and winning personality
Sidney Bracey — Motography’s Gallery of Picture Players (1914) 🇺🇸
Sidney Bracey’s career has been a series of successful leads
Ethyle Cook Benham — Motography’s Gallery of Picture Players (1914) 🇺🇸
If anyone has ever seen Ethyle Cook Benham angry around the studio he or she has kept it a secret
Carey L. Hastings — Motography’s Gallery of Picture Players (1914) 🇺🇸
Carey L. Hastings is a wonder in the art of make-up
Frank Farrington — Motography’s Gallery of Picture Players (1914) 🇺🇸
Frank Farrington ultimately desires a directorship
Charles Arling — Motography’s Gallery of Picture Players (1914) 🇺🇸
Charles Arling is a pioneer moving picture actor and although still a young man his experience on the legitimate stage has been vast and varied
Paul Panzer — Motography’s Gallery of Picture Players (1914) 🇺🇸
Paul Panzer joined Pathé Frères’ stock company in Jersey City where he has been now for three and a half years playing leading parts
Edna Mayo — Motography’s Gallery of Picture Players (1914) 🇺🇸
Edna Mayo’s daring has made her a popular screen artist, but a number of times has nearly been her own undoing. One of her narrowest escapes occurred at Seattle when she was thrown from an ungovernable horse at the edge of a precipice
Della Connor — Motography’s Gallery of Picture Players (1914) 🇺🇸
Delia Connor, whose blonde locks and attractive smile grace so many Pathé comedies, was born in Boston, the city of culture
Dorothy Phillips — Motography’s Gallery of Picture Players (1914) 🇺🇸
Dorothy Phillips possesses a lofty beauty, emphasized by a pair of delightful, lustrous eyes
William E. Shay — Motography’s Gallery of Picture Players (1914) 🇺🇸
William Shay is one of the oldest leads in any of the Universal companies
Robert Leonard — Motography’s Gallery of Picture Players (1914) 🇺🇸
Robert Z. Leonard is a Universal Rex star, appearing in the pictures he helps to produce at the company’s west coast studios
Pauline Bush — Motography’s Gallery of Picture Players (1914) 🇺🇸
Pauline Bush had never seen a screen play up to three years ago
Viola Dana — Motography’s Gallery of Picture Players (1914) 🇺🇸
Viola Dana just couldn’t help being a star
Edward Earle — Motography’s Gallery of Picture Players (1914) 🇺🇸
Edward Earle’s acting is natural and unrestrained
Bliss Milford — Motography’s Gallery of Picture Players (1914) 🇺🇸
Bliss Milford’s advent into pictures was purely accidental. Living near the Edison studio she thought to fill in her time between seasons by taking extras, but liked the work so well she remained in it
Arthur Housman — Motography’s Gallery of Picture Players (1914) 🇺🇸
Arthur Housman is one of the foremost comedians of the screen to-day
Rhea Mitchell — Motography’s Gallery of Picture Players (1914) 🇺🇸
Rhea Mitchell has been called the “stunt girl” because of the roles she has taken which required her jumping off cliffs, being rescued from burning ships, getting lost in swamps and quick sands, and several times drowning
Charles Ray — Motography’s Gallery of Picture Players (1914) 🇺🇸
Charles Ray’s entrance into theatricals was not a bit startling