Vintage Movie Resources
Gertrude Thanhouser and Edwin Thanhouser — The Thanhousers are Back on the Job (1915) 🇺🇸
“There is no place for any film that does not interest all the way”
Ethel Clayton — Sans Grease Paint and Wig (1913) 🇺🇸
Ethel Clayton is trying to keep from thinking about small-pox. For whatever awful thing she thinks about long enough, she gets.
Arthur V. Johnson — Sans Grease Paint and Wig (1913) 🇺🇸
We were in the midst of a fragile repast of cornbeef and cabbage, green corn and iced tea in the Lubin studio’s dining room, when Arthur V. Johnson found us.
Rubye de Remer — The “Once-Upon-a-Time” Girl (1919) 🇺🇸
Once upon a time there lived a poet whose heart was a song and whose mind was a well of wisdom and whose soul had been tried thru the Lethean waters of many experiences.
Children of Filmland (1913) 🇺🇸
They’re “regular” stage folk even if they haven’t got a Screen Club or Photoplayers’ Club of their own
Film Editors — Putting It Together (1918) 🇺🇸
Photoplays are often made or ruined in the cutting room.
Jackie Saunders — Motography’s Gallery of Picture Players (1914) 🇺🇸
Jackie Saunders is known as “the Mary Pickford of the West”
William D. Taylor — Motography’s Gallery of Picture Players (1914) 🇺🇸
William Desmond Taylor often plays the leading role, writes the scenario, directs the company, attends to the costuming of the characters and also manages the setting of the scenes
Mollie McConnell — Motography’s Gallery of Picture Players (1914) 🇺🇸
Mollie McConnell, leading character actress of the Balboa Company’s plant, was for many months a member of Charles Frohman’s London aggregation
Henry King — Motography’s Gallery of Picture Players (1914) 🇺🇸
Henry King is known as “the man from Virginia”
Mary Pickford — Sans Grease Paint and Wig (1914) 🇺🇸
An informal visit with Mary Pickford one afternoon last week furnishes me with a timely topic.
Mary Pickford — Sans Grease Paint and Wig (1913) 🇺🇸
Mary Pickford’s dark eyebrows and hazel eyes were quite as I had imagined them, but the blonde curls that bobbed from under her straw hat were a distinct shock, as I had always believed Mary to be a brunette.
Mary Warren — Stifling the Tears (1918) 🇺🇸
Mary Warren bit her upper lip instead of the lower — and that’s the sort of actress she is
Hugh Thompson — The Lady? No, the Car! (1918) 🇺🇸
Hugh Thompson would rather talk autos than pictures
Robert Harron — Griffith’s Boy — Bobby (1918) 🇺🇸
Harron, the Screen’s Premier Juvenile. “The Boy” in “The Birth of a Nation” and “Intolerance.”
Mary MacLaren — An Everyday Diana (1919) 🇺🇸
Mary MacLaren leaves pictures behind her when she closes her dressing-room door
Ann Derson — Motography’s Gallery of Picture Players (1914) 🇺🇸
Ann Derson, who plays heavies in the Eaco Films with Edwin August, is an English actress.
Hal August — Motography’s Gallery of Picture Players (1914) 🇺🇸
Hal August, who for two years was a member of the Universal west coast studio, was one of the first players to enlist under the Eaco Film’s banner.
Edwin August — Motography’s Gallery of Picture Players (1914) 🇺🇸
Edwin August, late Universal star, who is to be featured in all forthcoming Eaco releases, is one of the officers of the concern.
Charles B. Ross — Motography’s Gallery of Picture Players (1914) 🇺🇸
Charles B. Ross forsook the “legit” to become a picture actor.
Matt Moore — Sans Grease Paint and Wig (1913) 🇺🇸
It was pay-day. Hence quite the most natural place for Matt Moore to be was in the vicinity of the cashier’s window in the Universal’s suite at Forty-eighth street and Broadway.
Norma Phillips — Sans Grease Paint and Wig (1913) 🇺🇸
It was one of the days Norma Phillips was not at work before the camera in the role of “Our Mutual Girl.”
Gertrude Coghlan — Sans Grease Paint and Wig (1913) 🇺🇸
Gertrude Coghlan was about to make her debut as a screen artist
Pearl Sindelar — Sans Grease Paint and Wig (1913) 🇺🇸
Pearl Sindelar was having a day off and was trying to figure out just how many of fifty-seven varieties of things she could do in that one day — three-fourths of a day, really, for it was already 10 a. m.