Vintage Movie Resources
Mary Pickford — Sans Grease Paint and Wig (1913) 🇺🇸
Mary Pickford’s dark eyebrows and hazel eyes were quite as I had imagined them, but the blonde curls that bobbed from under her straw hat were a distinct shock, as I had always believed Mary to be a brunette.
Mary Warren — Stifling the Tears (1918) 🇺🇸
Mary Warren bit her upper lip instead of the lower — and that’s the sort of actress she is
Hugh Thompson — The Lady? No, the Car! (1918) 🇺🇸
Hugh Thompson would rather talk autos than pictures
Robert Harron — Griffith’s Boy — Bobby (1918) 🇺🇸
Harron, the Screen’s Premier Juvenile. “The Boy” in “The Birth of a Nation” and “Intolerance.”
Mary MacLaren — An Everyday Diana (1919) 🇺🇸
Mary MacLaren leaves pictures behind her when she closes her dressing-room door
Ann Derson — Motography’s Gallery of Picture Players (1914) 🇺🇸
Ann Derson, who plays heavies in the Eaco Films with Edwin August, is an English actress.
Hal August — Motography’s Gallery of Picture Players (1914) 🇺🇸
Hal August, who for two years was a member of the Universal west coast studio, was one of the first players to enlist under the Eaco Film’s banner.
Edwin August — Motography’s Gallery of Picture Players (1914) 🇺🇸
Edwin August, late Universal star, who is to be featured in all forthcoming Eaco releases, is one of the officers of the concern.
Charles B. Ross — Motography’s Gallery of Picture Players (1914) 🇺🇸
Charles B. Ross forsook the “legit” to become a picture actor.
Matt Moore — Sans Grease Paint and Wig (1913) 🇺🇸
It was pay-day. Hence quite the most natural place for Matt Moore to be was in the vicinity of the cashier’s window in the Universal’s suite at Forty-eighth street and Broadway.
Norma Phillips — Sans Grease Paint and Wig (1913) 🇺🇸
It was one of the days Norma Phillips was not at work before the camera in the role of “Our Mutual Girl.”
Gertrude Coghlan — Sans Grease Paint and Wig (1913) 🇺🇸
Gertrude Coghlan was about to make her debut as a screen artist
Pearl Sindelar — Sans Grease Paint and Wig (1913) 🇺🇸
Pearl Sindelar was having a day off and was trying to figure out just how many of fifty-seven varieties of things she could do in that one day — three-fourths of a day, really, for it was already 10 a. m.
Elmo Lincoln — A Yankee Maciste (1919) 🇺🇸
He kept his treasure in a chest and came to national renown as Tarzan.
Fay Tincher — “Is Polite Comedy Polite?” (1919) 🇺🇸
“Is polite comedy polite?” — asks Fay Tincher
David Powell — More About the Handsome Welshman (1919) 🇺🇸
More about David Powell, the handsome Welshman whom Photoplay Magazine once hailed as “the military heartbreaker.”
Tully Marshall — Everyone’s Ag’n Him! (1919) 🇺🇸
Tully Marshall robs poor old widow-ladies, forecloses mortgages, spanks babies, steals from banks — yet is altogether one of the most law-abiding citizens of California.
Wheeler Oakman — With the Big Show! (1918) 🇺🇸
Wheeler Oakman is in the all-star cast of the greatest picture ever made
Rhea Mitchell — The Lovely Riddle (1918) 🇺🇸
Miss Mitchell — but everybody calls her “Ginger” — says no more black and blue drama for her
Jacques A. Berst — The Daddy of Them All (1918) 🇺🇸
Twenty-two years ago he was in the same business — selling moving pictures
“Lights! Camera! Quiet! Ready! Shoot!” (1918) 🇺🇸
“Lights! Camera! Quiet! Ready! Shoot!” — These words spoken in a soprano voice “get over” just as effectively as though growled in deepest baritone.
H. O. Davis — “Stars or No Stars” — That Is the Question (1918) 🇺🇸
Mr. Davis believes that the public prefers a good story that’s starless, to a star that is storyless
