Vintage Movie Resources
Fay Wray — Aloof and Friendly (1928) 🇺🇸
A sympathetic interviewer finds Fay Wray possessed of all the virtues of an ideal girl, and enthusiastically describes them — and her.
Olga Baclanova — As She Is (1929) 🇺🇸
Steeped in the traditions of the European theater, her respect for her calling is almost a reverence, and her quiet approach to her work and life mystifies the film colony, because there is no mystery about her.
Tallulah Bankhead — A Lady for Legends (1932) 🇺🇸
"Acting is quite natural with me. I have never even studied it, or taken a lesson in my life. I just act."
Regis Toomey — Nine-O'Clock Guy (1932) 🇺🇸
Though Regis Toomey seldom appears in the magazines, he never fails to come through with a competent and satisfying performance on the screen.
Evelyn Brent — The Melting of Evelyn (1930) 🇺🇸
"He's the handsomest man in Hollywood — bar none!" says Miss Brent of her husband, thus explaining why the strong, silent woman she once was is no more.
Ruth Chatterton — As She Is (1930) 🇺🇸
The most popular player brought from the stage to the screen is here subjected to friendly scrutiny.
Anna May Wong — Between Two Worlds (1932) 🇺🇸
Anna May Wong — Oriental by birth and Western by training
Carole Lombard — Hardly a Woman of Stone (1932) 🇺🇸
A woman of stone? Well, hardly! Carole’s beauty may be the kind that sculptors dream about, but beyond those classical lines there’s a heart working overtime.
Louise Brooks — Brooksy’s Back! (1931) 🇺🇸
Brooksy’s back! So the tidings spread over Hollywood when Louise Brooks returned after a long absence abroad, where she made several pictures in Germany.
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