Fred Jackman — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Georges Benoît — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Rudolph J. Bergquist — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Gus Peterson — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Paul P. Perry — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Paul P. Perry, A. S. C, is in his ninth year as a cinematographer and during most of that time he has been with Famous Players-Lasky. His most recent work, “The Little Minister” has attracted much attention and it is said that he will continue in his present berth as chief cinematographer with Penrhyn Stanlaws who directed it.
Going back a few years we find Mr. Perry photographing “Sweet Kitty Bellairs” with Mae Murray; “The Ten Thousand Dollar Husband” and “Unprotected” with Blanche Sweet; and “The Lash” with Marie Doro, all directed by James Young.
He did “The Ghost House” and “What Money Can’t Buy,” starring Louise Huff and Jack Pickford, directed respectively by William de Mille [William C. de Mille] and Lou Tellegen; and “Forbidden Paths” with Hayakawa [Sessue Hayakawa (早川 雪洲)] and Vivian Martin.
Mr. Perry was next assigned to Director George Melford with whom he co-operated in the production of twenty-one straight feature pictures among them being “Nan of Music Mountain” with Wallace Reid; “The City of Dim Faces” with Hayakawa; “The Cruise of the Make Believe” and “Such a Little Pirate” with Lila Lee; “Good Gracious Annabelle” starring Billie Burke; “Pettigrew’s Girl” with Ethel Clayton; “Told in the Hills” featuring Robert Warwick; the all star features “Sea Wolf” and “Everywoman;” “The Round Up,” “Behold My Wife;” “The Jucklins,” “The Faith Healer.”
Under direction of Rex Ingram he filmed “The Reward of the Faithless” and was then assigned to Stanlaws who has just recently produced “The House that Jazz Built” and “The Outside Woman” with Wanda Hawley; “The End of the World” and “The Little Minister” starring Betty Compson.
In 1916 Mr. Perry filmed eighteen one and two reel comedies with Allen Curtis at Universal, but since that time has done nothing but features and special productions.
—
Collection: American Cinematographer, February 1922
—
see here all Little Close-Ups of the A. S. C. (1922)
Harry Thorpe — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Eugene Gaudio — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Eugene Gaudio and his brother Tony Gaudio had early training in the photographic art in the portrait studio of their father
Georges Rizard — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Georges Rizard knew a lot of photography before he bade bonjour to La Belle France