Vintage Movie Resources
Reginald Lyons — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Having started in the days when one, two and three reelers were the staple films, Reginald Lyons has hundreds of pictures to his credit
Arthur Edeson — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Arthur Edeson is the Beau Brummell of the A. S. C.
Walter L. Griffin — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Walter L. Griffin did his kindergarten work with Universal
Arthur Mackley — Real Tales About Reel Folk (1914) 🇺🇸
Arthur Mackley’s picturesque costume is as much a part of himself as his hands and feet
Richard Cummings — Real Tales About Reel Folk (1914) 🇺🇸
Richard Cummings — who is “Dick” to the studio folk — has been in the theatrical business all his life
Jack Richardson — Real Tales About Reel Folk (1914) 🇺🇸
Jack Richardson, the famous “villain,” took it all with characteristic good nature
Richard Stanton — Real Tales About Reel Folk (1914) 🇺🇸
Richard Stanton, resourceful actor–director, recently came up against a serious problem
William Beckway — Little Close-Ups of the A. S. C. (1922) 🇺🇸
William Beckway became interested in things cinematographic when he was still in rompers, but he didn’t get into the game with a camera until about 1910
Chester A. Lyons — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Chester A. Lyons has practically never been idle since he first began to crank second camera
Henry Cronjager — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Henry Cronjager turned to photography as early as 1893 and that was in the days “When You and I Were Young, Maggie”
H. Lyman Broening — Little Close-Ups of the A. S. C. (1922) 🇺🇸
H. Lyman Broening has shot so many celebrities that a review of his pictures carries one through an art gallery of film history
Walter Lundin — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Walter Lundin will tell you that while it means a steady job to hitch your camera to such a star as Harold Lloyd, it also means a life of strenuousity and hardship
Hans F. Koenekamp — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Larry Semon is a world headliner at the laughsmith game, but if you’ll ask him how much Hans F. Koenekamp helps him you’ll be surprised
Roy H. Klaffki — Little Close-Ups of the A. S. C. (1922) 🇺🇸
The director of photography at Metro, Roy H. Klaffki, is the official goat of the studio
John F. Seitz — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Compared to John F. Seitz, oysters are orators and starfish are noisy roisterers
Fred LeRoy Granville — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Fred Leroy Granville is a bloody Britisher by birth
Harry W. Gerstad — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Harry W. Gerstad demonstrated in various movies how to shoot according to his own ideas, and not the director’s
Gilbert Warrenton — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Gilbert Warrenton acknowledges that his ambition knows no limit
James Mason — “The Majority of my Films are Crummy” (1975) 🇨🇦
James Mason belongs to the handful of movie actors who are so professional that it is difficult remembering them ever delivering a poor presentation
Dino De Laurentiis — Profile (1975) 🇨🇦
If he had followed the dictates of his father, Dino De Laurentiis might now be a manufacturer of pasta
William Castle — The King of the Gimmick (1975) 🇨🇦
“I suppose you could say I’ve devoted my career to scaring the hell out of people.” — William Castle
Frank B. Good — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Frank B. Good can shoot anything as well as any other cinematographer that ever cranked a camera
Karl Brown — Little Close-Ups of the A. S. C. (1922) 🇺🇸
2 years of close association with D. W. Griffith and G. W. Bitzer equipped Karl Brown for a bigger job, so he was assigned to the department of experimentation