Vintage Movie Resources
Maibelle Heikes Justice (1915) 🇺🇸
Ideas are continually knocking at Maibelle Heikes Justice’s door. She can’t possibly use them all
Grace Washburn in “World Film” (1915) 🇺🇸
Grace Washburn is a beautiful girl of American Indian extraction
Aces of the Camera — Rudolph Maté (1942) 🇺🇸
Mild-mannered Rudolph Maté is as different as possible from the dashing extroverts fiction writers like to characterize as cameramen
Lorena Layson — The Booty of Beauty (1933) 🇺🇸
There is nothing illegitimate or frivolously vain in trying to be beautiful
Fan Bourke, Thanhouser Favorite (1915) 🇺🇸
Fan Bourke is that ideal rarity in the theatrical and motion picture circles, a good comedienne who can play heavy emotional parts as well
Edith Ritchie (1915) 🇺🇸
Edith Ritchie is a tall, very good looking woman with a charm of manner that is irresistible
Ruth Hall — Florida’s Fairest (1933) 🇺🇸
Ruth Hall’s favorite vocal exercise is a good football game. She usually comes away without her voice
Margaret Prussing (1915) 🇺🇸
Enthused still with all the direct and engaging spirit of the college girl, there is good reason to believe that Margaret Prussing will register well
Irene Fenwick (1915) 🇺🇸
Irene Fenwick has appeared under five of the best-known managements on Broadway and has starred in several international productions
Norman Z. McLeod — This Business of Directing (1934) 🇺🇸
7th of a series of articles by and of the well known directors in the Hollywood studios
Charles Hill Mailes (1915) 🇺🇸
Charles Hill Mailes is recognized as one of the best all-around actors on the screen
Aces of the Camera — Farciot Edouart (1942) 🇺🇸
Special-process photographers, such as Farciot Edouart, seldom bask in the limelight of publicity
Aces of the Camera — Arthur C. Miller (1942) 🇺🇸
Arthur C. Miller’s two absorbing interests are fine horseflesh and making pictures photographically
Aces of the Camera — George J. Folsey (1942) 🇺🇸
George J. Folsey is the perfect embodiment of the old axiom that “cinematographers are born, not made”
Gloria Swanson — How I Choose My Costumes (1921) 🇺🇸
Meet two variants of Gloria Swanson — the tall, queenly person of the screen, and the petite, vivacious girl of real life
Marion Davies — Beating the Cost of Clothes (1921) 🇺🇸
My mouth, usually, is stuffed with pins
Betty Compson — Emotion to Order (1921) 🇺🇸
Screen actors have a much harder job to be natural than their stage brothers
Agnes Ayres — Advice to Would-Be Stars (1921) 🇺🇸
Flashy clothes never got any girl into the movies
