Vintage Movie Resources
Nigh Proves His Versatility (1915) 🇺🇸
Vera Michelena, “Driftwood” Star, is Versatile Actress (1916) 🇺🇸
Ivan Abramson, Master Craftsman (1916) 🇺🇸
Ora Carew Joins Universal (1916) 🇺🇸
Marin Sais and Ollie Kirkby — Jealous? Not a Bit of It! (1916) 🇺🇸
Anne Schaefer — The Girl with a Hundred Personalities (1916) 🇺🇸
Louise Orth (1916) 🇺🇸
Director F. J. Grandon Goes to Metro (1916) 🇺🇸
Creators of Lasky Photography (1916) 🇺🇸
Movie pioneers behind the camera: 3 cinematographers and 1 lab technician
John McDermott, Director, Universal (1916) 🇺🇸
Helen Gibson — The Girl with Nine Lives (1916) 🇺🇸
June Keith — The Flower Girl (1916) 🇺🇸
Roscoe “Fatty” Arbuckle — Roscoe the Great (1916) 🇺🇸
John Emerson in Pictures (1916) 🇺🇸
Packing a Trunk with Violet Mersereau (1916) 🇺🇸
Just what possessed Violet Mersereau’s to invite me to interview her at such an unreasonable hour was more than my fertile mind could fathom.
Leslie Elton — How Cartoon Comedies Are Made (1916) 🇺🇸
How Leslie Elton carries a comedy company to the studio in his vest pocket and turns out film farces with no other aid than a camera
An Interview with Charlotte Greenwood (1916) 🇺🇸
Lillian Walker — How I Became a Photoplayer (1916) 🇺🇸
My debut in motion pictures was the result of my seeking a way out of a dilemma.
William Farnum — How I Became a Photoplayer (1916) 🇺🇸
I have just completed my seventeenth film production. Allowing three “takes” to each scene, this would make approximately 225,000 feet of celluloid, or nearly forty-five miles, in the two years in which I have been in the photoplay.
Pauline Frederick — How I Became a Photoplayer (1916) 🇺🇸
Earle Williams — How I Became a Photoplayer (1916) 🇺🇸
Vivian Martin — How I Became a Photoplayer (1916) 🇺🇸
I have been asked by The Photo-Play Journal to write a short story on “How I Became a Photoplayer,” and accordingly will endeavor to present facts which, however, I am afraid will disclose nothing particularly startling.
Henry B. Walthall — How I Became a Photoplayer (1916) 🇺🇸
In my early days I was literally hampered by dramatic instinct, human sympathy and emotional feeling. At first I overacted, rather, over-felt.
