Vintage Movie Resources
Ethel Clayton — Sans Grease Paint and Wig (1913) 🇺🇸
Ethel Clayton is trying to keep from thinking about small-pox. For whatever awful thing she thinks about long enough, she gets.
Arthur V. Johnson — Sans Grease Paint and Wig (1913) 🇺🇸
We were in the midst of a fragile repast of cornbeef and cabbage, green corn and iced tea in the Lubin studio’s dining room, when Arthur V. Johnson found us.
Rubye de Remer — The “Once-Upon-a-Time” Girl (1919) 🇺🇸
Once upon a time there lived a poet whose heart was a song and whose mind was a well of wisdom and whose soul had been tried thru the Lethean waters of many experiences.
Children of Filmland (1913) | www.vintoz.com 🇺🇸
They’re “regular” stage folk even if they haven’t got a Screen Club or Photoplayers’ Club of their own
Film Editors — Putting It Together (1918) 🇺🇸
Jackie Saunders — Motography’s Gallery of Picture Players (1914) 🇺🇸
William D. Taylor — Motography’s Gallery of Picture Players (1914) 🇺🇸
Mollie McConnell — Motography’s Gallery of Picture Players (1914) 🇺🇸
Henry King — Motography’s Gallery of Picture Players (1914) 🇺🇸
Mary Pickford — Sans Grease Paint and Wig (1914) 🇺🇸
Mary Pickford — Sans Grease Paint and Wig (1913) 🇺🇸
Mary Warren — Stifling the Tears (1918) 🇺🇸
Hugh Thompson — The Lady? No, the Car! (1918) 🇺🇸
Robert Harron — Griffith’s Boy — Bobby (1918) 🇺🇸
Harron, the Screen’s Premier Juvenile. “The Boy” in “The Birth of a Nation” and “Intolerance.”
Mary MacLaren — An Everyday Diana (1919) 🇺🇸
Mary MacLaren leaves pictures behind her when she closes her dressing-room door
Ann Derson — Motography’s Gallery of Picture Players (1914) 🇺🇸
Hal August — Motography’s Gallery of Picture Players (1914) 🇺🇸
Hal August, who for two years was a member of the Universal west coast studio, was one of the first players to enlist under the Eaco Film’s banner.
Edwin August — Motography’s Gallery of Picture Players (1914) 🇺🇸
Edwin August, late Universal star, who is to be featured in all forthcoming Eaco releases, is one of the officers of the concern.
Charles B. Ross — Motography’s Gallery of Picture Players (1914) 🇺🇸
Charles B. Ross forsook the “legit” to become a picture actor.
Matt Moore — Sans Grease Paint and Wig (1913) 🇺🇸
It was pay-day. Hence quite the most natural place for Matt Moore to be was in the vicinity of the cashier’s window in the Universal’s suite at Forty-eighth street and Broadway.
Norma Phillips — Sans Grease Paint and Wig (1913) 🇺🇸
Gertrude Coghlan — Sans Grease Paint and Wig (1913) 🇺🇸
Pearl Sindelar — Sans Grease Paint and Wig (1913) 🇺🇸
Pearl Sindelar was having a day off and was trying to figure out just how many of fifty-seven varieties of things she could do in that one day — three-fourths of a day, really, for it was already 10 a. m.