Vintage Movie Resources
Betty Blythe — The Family Name Is Blythe (1918) 🇺🇸
“I came to New York with one hundred dollars in my purse, a heart full of ambition and fire in my eye.”
Alice Lake — It’s a Hard Life! (1918) 🇺🇸
Slapstick is not to be laughed at — by those who make it, says Alice Lake
Mildred Harris — “Stage Experience? None!” (1918) 🇺🇸
“Stage Experience? None!” — Said Mildred Harris, just to be original, as well as truthful.
Bert Lytell — The Essential Ingredient (1918) 🇺🇸
Bert Lytell, a creature of excitement, is usually around the studio when any of it occurs.
Pearl White — How to Act (1918) 🇺🇸
Want to know what it takes to be an actress? Here’s no-nonsense advice from the Queen of Serials, Pearl White.
Edward Earle — Our Mary’s First Leading Man (1918) 🇺🇸
With such an auspicious beginning, Edward Earle was bound to succeed.
Alice Joyce — Alice for Short (1917) 🇺🇸
Miss Joyce talks of things in general and in particular of her tiny daughter, Alice.
Virginia Valli — From Stenography to Stardom (1918) 🇺🇸
How Virginia Valli bridged the gap between a Chicago Commission House and a private dressing room at Essanay
Warner Oland — A Highbrow Villain from the Arctic Circle (1918) 🇺🇸
I wonder if they know about it in Umea.
Films in the Flowery Land (1918) 🇺🇸
The appeal of the Japanese movie poster is not a subtle one; it comes right out and picks you off your feet. It is as large as the side of a house, and embodies every color in the artist's paintshop.
Watterson R. Rothacker — A Specialist in a Fine Art (1918) 🇺🇸
Watterson R. Rothacker develops and prints more film than anyone else in America
Allan Dwan — Scenario Writing from the Director’s Viewpoint (1918) 🇺🇸
Practical information based on the actual experience in the studios of one who produces successes, written by Allan Dwan
Dot Farley — Comedienne, Tragedienne and Photoplaywright (1914) 🇺🇸
Miss Farley was advised not to ride hell cat, so, of course, she did, and she stayed on, too, much to hell cat’s annoyance
Henry B. Walthall — Once of Alabama (1918) 🇺🇸
His father wanted him to become a farmer, and his mother hoped he would follow the law. But he became an actor because that was the one career that interested him.
Gregory la Cava — Stars Shot from Ink Pots (1918) 🇺🇸
The director of the Black and White Comedies talks about his troubles.
Louise Huff — When Louise Was a Kiddie (1918) 🇺🇸
Of course we all know that Southern girls are either born flirts or acquire the art at a tender age.
Edna Purviance — Little Miss Happiness (1918) 🇺🇸
That is why Edna Purviance is such an able assistant to Charlie Chaplin
Monroe Salisbury — An Actor and His Indian Friends (1918) 🇺🇸
It is not generally known that Monroe Salisbury, whose performance as Alessandro in the classic, Ramona, is acknowledged one of the greatest characterizations the screen has shown, is a student of Indian customs and lore, as well as a rancher in his own right.
Edna Purviance — Interviewing Edna (1916) 🇺🇸
A movie chat in the current manner — not to be taken too seriously
Madge Evans — Pauvre Enfant ? Merci — Non ! (1918) 🇺🇸
Or, in plain, everyday U. S., Madge Evans is not a pallid chee-ild of the drama.
Lila Lee — Do You Believe in Fairies? (1918) 🇺🇸
The happy romance of Lila Lee indicates their presence around us