Vintage Movie Resources

This is the eighth of a series of articles by our Hollywood correspondent on interviews with people prominent in production.

This is the fourth of a series of articles by our West Coast correspondent, author of “Hollywood Flickers,” on interviews with personalities prominent in production.

This is the second of a series of articles by our West Coast correspondent, author of “Hollywood Flickers,” on interviews with personalities prominent in the production field in Hollywood.

This is the third of a series of articles by our West Coast correspondent, author of “Hollywood Flickers,” on interviews with personalities prominent in production.

This is the ninth of a series of articles by our Hollywood correspondent on interviews with people prominent in production.

As yet I am only a rookie and not a regular farmer or farmerlette, but after my summer of intensive training I will be better equipped to comply with Photo-Play Journal’s request for an article on wartime gardening.

Just what possessed Violet Mersereau’s to invite me to interview her at such an unreasonable hour was more than my fertile mind could fathom.

She wore shell-rim glasses that imparted a professional air. On her small, well-built head was a Dutch bonnet and her shoes had low heels and square toes. Her dark gray suit fitted well and was unobtrusive. Can this be Madge Kennedy?

The distinction of being one of the most-photographed and advertised girls in the world belongs to Edith Johnson.

There are very few people who have the privilege of really knowing Bessie Barriscale.

How Leslie Elton carries a comedy company to the studio in his vest pocket and turns out film farces with no other aid than a camera