Vintage Movie Resources
More Care with Scripts would Cut Down Production Costs, Faults, says Dave Loew (1937) 🇺🇸
Harry Sherman, ‘Hopalong Cassidy’ Producer, has Abiding Faith in Appeal of Westerns (1937) 🇺🇸
Kid Star Discoveries Sol Lesser’s Specialty (1936) 🇺🇸
Norma Talmadge — My Ammunition Plants (1917) 🇺🇸
As yet I am only a rookie and not a regular farmer or farmerlette, but after my summer of intensive training I will be better equipped to comply with Photo-Play Journal’s request for an article on wartime gardening.
John Emerson in Pictures (1916) 🇺🇸
Packing a Trunk with Violet Mersereau (1916) 🇺🇸
Just what possessed Violet Mersereau’s to invite me to interview her at such an unreasonable hour was more than my fertile mind could fathom.
Francis X. Bushman and Beverly Bayne — All in the Day’s Work (1917) 🇺🇸
Madge Kennedy’s Bow to the Movie Fans (1917) 🇺🇸
She wore shell-rim glasses that imparted a professional air. On her small, well-built head was a Dutch bonnet and her shoes had low heels and square toes. Her dark gray suit fitted well and was unobtrusive. Can this be Madge Kennedy?
Lionel Atwill — The Exquisite Villain (1919) 🇺🇸
Edith Johnson — The Kodak Girl (1920) 🇺🇸
The distinction of being one of the most-photographed and advertised girls in the world belongs to Edith Johnson.
Julian Eltinge, Famous Feminine Impersonator (1917) 🇺🇸
Bubbling Bessie Barriscale (1917) 🇺🇸
There are very few people who have the privilege of really knowing Bessie Barriscale.
Oscar Apfel — From Standard Oil to Stutz (1917) 🇺🇸
Leslie Elton — How Cartoon Comedies Are Made (1916) 🇺🇸
How Leslie Elton carries a comedy company to the studio in his vest pocket and turns out film farces with no other aid than a camera
Agnes Vernon — The Life of a Photoplayer — Three Parts Smile, Two Parts Work, and One Part Rest (1917) | www.vintoz.com 🇺🇸
An Interview with Charlotte Greenwood (1916) 🇺🇸
One of the richest scenes in Sam Bernard’s Nearly a Hero, his Broadway starring vehicle of some seasons ago, was when he picked a stately show girl out of the chorus.
Lillian Walker — How I Became a Photoplayer (1916) 🇺🇸
My debut in motion pictures was the result of my seeking a way out of a dilemma.
William Farnum — How I Became a Photoplayer (1916) 🇺🇸
Eleanor Blanchard — Motography’s Gallery of Picture Players (1914) 🇺🇸
Eleanor Blanchard is one of the most useful character actresses of the Lubin plant
Louise Huff — Motography’s Gallery of Picture Players (1914) 🇺🇸
When Louise Huff skips into a picture she brings with her a pair of violet eyes, a mass of soft blonde curls and a delicate oval of a face
Joseph Kaufman — Motography’s Gallery of Picture Players (1914) 🇺🇸
Joseph Kaufman is of a cheerful disposition and always has a kind word for all those associated with him, which has made him exceedingly popular with all his fellow-players
Carol Holloway — Motography’s Gallery of Picture Players (1914) 🇺🇸
Carol Holloway adds something more than beauty to Lubin films
Georges Baud — Motography’s Gallery of Picture Players (1914) 🇺🇸
On the continent Georges Baud’s name alone is enough to fill a theater
Monsieur Duard — Motography’s Gallery of Picture Players (1914) 🇺🇸
Monsieur Duard has scored many successes in his varied screen career, but looks upon his work in recent Kleine releases as his best