Vintage Movie Resources
The Unsteady Screen-Flapper Throne (1924) 🇺🇸
Cesare Gravina — A Successful Portrayer of Failures (1924) 🇺🇸
Shannon Day — Eyes of Promise (1924) 🇺🇸
Fred Thomson — By Way of a Pulpit (1924) 🇺🇸
Billy Sullivan — Reginald Denny’s Successor (1924) 🇺🇸
Marion Harlan — The O. Henry Girl (1926) 🇺🇸
Walter McGrail — A Villain Gone Wrong (1925) 🇺🇸
Youcca Troubetzkoy — A Real Prince at Last (1925) 🇺🇸
Freeman Wood — Persistence Wins (1925) 🇺🇸
John Roche — The Man Who Sold Himself (1925) 🇺🇸
Among Those Present — Brief sketches of some of the most interesting people in pictures
Mary Philbin — Blue Book of the Screen (1923) 🇺🇸
Mary Philbin is one screen actress upon whom has shone a particularly bright star of fortune
Jack Mulhall — Blue Book of the Screen (1923) 🇺🇸
Norman Kerry — Blue Book of the Screen (1923) 🇺🇸
Norman Kerry came to the cinema without any stage experience whatsoever
David Butler — Blue Book of the Screen (1923) 🇺🇸
David Butler was showered with offers from motion picture producers, and as a result gave up the speaking stage for film work
William Desmond — Blue Book of the Screen (1923) 🇺🇸
William Desmond proved one of the most energetic students who ever strove to attain success
Marjorie Daw — Blue Book of the Screen (1923) 🇺🇸
is noted for having played in more Douglas Fairbanks Sr.’s productions than any other actress
Wallace Beery — Blue Book of the Screen (1923) 🇺🇸
Wallace Beery, whose recent role of Richard the Lion Hearted in Robin Hood probably will cause him to be remembered as long as any part he ever played
Sylvia Breamer — Blue Book of the Screen (1923) 🇺🇸
Australia has given to the world many notable stage folk, but none have been more appealing than Silvia Breamer
Mae Busch — Blue Book of the Screen (1923) 🇺🇸
Mae Busch spent her early girlhood in Australia and Tahiti
Claire Adams — Blue Book of the Screen (1923) 🇺🇸
Greater than the fact that she is a capable actress was that of serving her country during the great World War.
George J. Lewis — Big Brother George (1926) 🇺🇸
Among the new order of juveniles who have risen to prominence in the movies within the past year, George Lewis most suggests the big, sympathetic brother.
Jack Dillon — How Directors are Made (1925) 🇺🇸
Tom Mix — Back Home — and Happy (1929) 🇺🇸
You won’t see Tom Mix in any new pictures for some time, for he has run away from Hollywood and joined the circus he trouped with twenty years ago.